Sami, Tacchini, Yaya and Kader are four small-time crooks from the suburbs of Paris. After a failed robbery, their boss, Carlito, sends them to Canada to spy on his fiancée. There, they are mistaken for a band of professional killers and are hired to assassinate the heiress Léonore de Segonzac...

The plot explores the devastation of civilization and issues of brutality, hostility and isolation. Pierre Jolivet stars as the main character (identified only as "The Man" in the end credits) who is menaced by "The Brute" (played by Jean Reno) on his journey through a world filled by people rendered nearly mute by some unknown incident.

A beautiful woman hires an intrepid adventurer to help find her father, who has disappeared in the jungle while searching for a rare and priceless butterfly. Along the way they run into cannibals, a race of Amazon warriors and all the usual attractions one would expect to find in a lost jungle.

Mr. K is a do-it-yourselfer and he works very seriously. One day he has a problem with one of his screws. Furious, he decides to complain at the administration office of the Department Store of Non Ferrous Metals!..

During Paris Fashion Week, models, designers and industry hot shots gather to work, mingle, argue and try to seduce one another.

A steelworker leaves Lorraine with his family for Finland, his wife's country. On the way, they meet two zonards, one of whom falls in love with the proletarian's daughter. The other, his brother protector, a sort of philosophic brute, does not accept to abandon him.

Sensing their relationship is crumbling, Christian avoids celebrating Christmas with his girlfriend Julia and heads for Paris.

Laura Bartelli is a stripper in a French bar. She retires after a moody landscape architect named Marco Tisserand asks her to abandon her life and share his. However, after her red Volkswagen runs off the road en route to the rendezvous, she ends up scarred and comatose in a hospital. Marco stays at her bedside.

The life of a "big" restaurant seen as a world unto itself, a world apart with its own inhabitants, rules, intrigues, movements, hierarchy, history and stories, internal and external relationships... an organic world that pulses, moves, shouts, cries, sings and, of course, eats. Here, the particularity of their vision lies in the stage set-up, which offers two separate, parallel spaces that interact with each other: the "visible" world on the dining room side, and the "underground" world on the kitchen side. At intermission, the spectator switches sides, seeing the same story from two radically different points of view.