
Writing
Maurice Clavel (1920-1979) was a French writer, journalist, and philosopher. Maurice Clavel was born on 10 November 1920 in Frontignan, Hérault to a family headed by a father who was a pharmacist. This conservative milieu of small shopkeepers in Languedoc led him to be an activist in the French Popular Party (FPP) in his hometown of Frontignan. A brilliant pupil, he got into the prestigious École Normale Supérieure in the Rue d'Ulm in Paris. There he became acquainted with Trotskyist Jean-Toussaint Desanti and Maurrassian Pierre Boutang. The latter, having been appointed in the Secretariat of Public Instruction, invited him to serve by his side under Marshal Philippe Pétain. Having just gotten his certificate of morale and sociology in Montpellier, Maurice Clavel accepted but was soon disillusioned. While preparing a thesis on Immanuel Kant, he then joined the Résistance (1942). As head the French Forces of the Interior of Eure-et-Loir, he took part in the liberation of Chartres where he greeted General Charles de Gaulle on the cathedral's forecourt. At the Libération, he denounced the blind epuration and tried to save the heads of Robert Brasillach and Drieu La Rochelle. That did not prevent him from being a fervent activist in the Rally of the French People (RPF) whose acerbic criticism of communism got him to be accused by the French Communist Party (PCF) of being "Goebbels' voice". He then founded with Henri d'Astier de La Vigerie and André Figueras a newspaper called L'Essor. Meanwhile, he wrote plays directed by Jean Vilar like Les Incendiaires (The Incendiaries) in 1947 or La Terrasse de midi (The Noon Terrace) in 1949. But those failed, and as he was torn apart after breaking his relationship with the actor Silvia Monfort, Clavel accepted a professor tenure in the Carnot high school in Dijon. Barely liked by his superiors, he soon got back to theatrical works when, in 1951, Jean Vilar appointed him as secretary-general of the Théâtre National Populaire. But his new play Malsameda (1954) as well as his first novel Une fille pour l'été (A Girl for the Summer, 1955) turned out to be failures too. From 1955, Clavel started his career as a journalist writing in Combat. Protesting, among other things, against the invasion of Hungary by Soviet tanks in 1956, and the use of torture in Algeria, he got involved with left-wing Gaullists in the Democratic Union of Labour in 1959. Meanwhile, he went back to teaching as philosophy professor in Camille Sée and Buffon high school in Paris, from 1960 to 1963. With Emmanuel Berl, he presented a daily radio programme Qui êtes-vous? (Who are you?). But after the refusal by managers of the radio station to grant Jean Daniel a right of reply about Algeria, he resigned. The following year, after publishing Le Temps de Chartres (The Times of Chartres), he ceased his regular contribution to Combat. However he kept supporting General De Gaulle's position on Algeria, who entrusted him to engage in a dialogue with Messali Hadj. ... Source: Article "Maurice Clavel" from Wikipedia in English, licensed under CC-BY-SA 3.0.

Don Juan is arrested during one of his raids loving, just as he intended to seduce the daughter of the Governor, who was about to marry. His faithful servant, too accustomed to be all sticks, passed by him to save his skin, a situation that will allow you to win the love of a beautiful comic. Meanwhile, the real Don Juan is reduced to the status of servant.

Don Juan is arrested during one of his raids loving, just as he intended to seduce the daughter of the Governor, who was about to marry. His faithful servant, too accustomed to be all sticks, passed by him to save his skin, a situation that will allow you to win the love of a beautiful comic. Meanwhile, the real Don Juan is reduced to the status of servant.

Sentimental events of a rich industrialist which turn to the criminal case.

Agata, her daughter Silvia and sister-in-law Pia run a farm lost in the mountains. The hiring of Angelo, an attractive forty-something, will provoke confrontations and rivalries between the three women.

She dragged out a more than mediocre life in the port of Antwerp; he is a renowned pianist-virtuoso. These two solitary beings, totally different, meet by chance on a liner and gradually realize that they complement each other harmoniously.

Nicolas Philibert goes to America after killing a French aristocrat. On his return he tries to divorce his wife, Charlotte, but when he sees others trying to woo her his own interest is rekindled.

Philippe, a little known artist, has a mistress, Viviane, a woman he does not love. When he learns the bailiffs are about to seize his paintings, Philippe decides to leave alone for the French Riviera and spend, as he regularly does, comfortable and carefree holidays in the luxurious villa of his friend Paule. But, on his way, he meets Manette, a beautiful but poor girl to whom he offers to become his companion for the Summer. Manette accepts the strange deal in exchange for bed and board. As Philippe always comes in the company of his mistress of the time, the presence of Manette does not pose a problem. But the young woman soon feels ill-at-ease in such a dubious environment. moreover, she realizes that she is falling in love with Philippe, who might not be so cynical as he wants to appear.

Philippe, a little known artist, has a mistress, Viviane, a woman he does not love. When he learns the bailiffs are about to seize his paintings, Philippe decides to leave alone for the French Riviera and spend, as he regularly does, comfortable and carefree holidays in the luxurious villa of his friend Paule. But, on his way, he meets Manette, a beautiful but poor girl to whom he offers to become his companion for the Summer. Manette accepts the strange deal in exchange for bed and board. As Philippe always comes in the company of his mistress of the time, the presence of Manette does not pose a problem. But the young woman soon feels ill-at-ease in such a dubious environment. moreover, she realizes that she is falling in love with Philippe, who might not be so cynical as he wants to appear.

At the end of World War 2, a Nazi escapes arrest by assuming the identity of concentration camp victim. 20 years later, he is threatened with exposure. The only way out would seem to be murder. Hour of Truth was lensed largely on location in Israel.

After the discovery of two murders, Commissioner Chabrier, of the French secret services, is investigating the disappearance of plans affecting the national defense of the country robbed by a gang of international spies.

