Found-footage tribute to Winnipeg salesman and video artist Nick Hill.

A found footage video essay tracing Winnipeg's civic pathologies, aesthetic fabulations and exquisite strangeness through the prism of its own low-budget, lo-fi TV advertising produced between 1975 and 1992.

On a moonlit street corner, a Parisian waif sits dejectedly on a doorstep, mournfully clutching a dogless leash.

An experimental montage of the exteriors of apartment buildings

Winnipeg Film Group. Deep in the winter of 1986. Guy Maddin is in the process of filming Tales from the Gimli Hospital and needs to rub a dead seagull on somebody's chest. Immediately, Dave Barber agrees, submitting his bare flesh to Maddin's road kill and to film history. (This film was commissioned by the Winnipeg Film Group's Cinematheque for its 25th anniversary, Silverscope)

Winnipeg Film Group. Deep in the winter of 1986. Guy Maddin is in the process of filming Tales from the Gimli Hospital and needs to rub a dead seagull on somebody's chest. Immediately, Dave Barber agrees, submitting his bare flesh to Maddin's road kill and to film history. (This film was commissioned by the Winnipeg Film Group's Cinematheque for its 25th anniversary, Silverscope)

On a secluded prairie farm, adolescent boys labor in wheat fields for a sexually predatory warden and his farmhands, who threaten to feed them to a voracious beast if they ever disobey. The newly arrived Linus instantly catches the warden's eye, and begins to receive secret visitations from a mysterious girl. The other boys tell Linus the legend of a special boy who fled the farm and became a glorious angel that will one day return to free them all. When Linus asks the girl if she is the angel, her answer is enigmatic. After the warden's favorite boy dies, Linus is poised to become the next victim. The girl reappears and promises to help him escape, but with hope comes punishment.

An examination of Rory Lepine, who sent Winnipeg into a frenzy when he beat local legend Burton Cummings with a beer bottle in a 7-Eleven in 1985

Winter. Somewhere between Tehran and Winnipeg. Negin and Nazgol find a sum of money frozen deep within the sidewalk ice and try to find a way to get it out. Massoud leads a group of befuddled tourists upon an increasingly-strange walking tour of Winnipeg historic sites. Matthew leaves his job at the Québec government and embarks upon a mysterious journey to visit his estranged mother.

In the idealism and mutation of his home town of Winnipeg, the filmmaker Matthew Rankin launches a failed campaign of absolute inter-human solidarity entirely in Esperanto, the artificial language of world peace.