Outstanding raconteur Kenneth Williams regales his spellbound audience in typical fashion with a long look back at his career - from his time entertaining troops in the army, his radio work (including the Hancock shows), his work in theatre and - of course - the highly successful series of Carry On films. Playing wonderfully to his audience of celebrities (which include Michael Parkinson, Ned Sherrin, Gordon Jackson and Carry On cohorts Joan Sims and Bernard Bresslaw) he even finds time to answer a few of their questions.

A wheelchair bound little girl gets involved with characters from her computer game that help her though a difficult time.

Michael Grade tells a tale of television skullduggery and dirty dealings in the battle to win the Saturday night ratings crown.

Following the death of their friend, two girls in their late twenties embark on a road trip to spread his ashes. Seph and Alex take turns driving. Dan is in the glove compartment, in tupperware, decreasing in volume as the trip progresses.

Mumatar is an original comedy short film about Sandra – a single mum who struggles to adjust when her only child leaves home. After witnessing a bullying incident at the school where she works as a cleaner, Sandra draws inspiration from computer game avatars, dons a homemade costume and becomes a real life local superhero ... Mumatar!

A hilarious mockumentary, 'The Light of Day' follows a flailing film crew as they attempt to adapt the vampire graphic novel 'The Quench'. Hindered by their tragically over-zealous director, it will take the two sane people on set, cinematographer Michael and writer Sarah, to save the film.

Hector and Betty's marriage is on the rocks. To make matters worse, it's lasagne for dinner - again.

What happens to provincial journalists when there's nothing in the news and they have a paper to fill?

Bill Nighy, Pete Postlewaite and (briefly) Julie Walters, then all of the Everyman Theatre Company, feature in this potent reportage/dramatisation hybrid about the occupation of the Fisher-Bendix Factory in Kirkby. Dohany uses a variety of imaginative techniques to explore the longstanding dispute, and a pronounced sense of urgency pervades this act of solidarity.

Gemma is delighted to be recruited by the Serious Crimes Agency, but sadly they don't want Terry because of his criminal past.