
Acting
Matsumoto Kōshirō X (十代目 松本 幸四郎) is a Japanese kabuki actor was born on January 8, 1973 in Tokyo, Japan as Terumasa Fujima (藤間 照薫). He has also acted in movies, including April Story (1998), Ashura (2005), and The Samurai I Loved (2005). He is a well-known kabuki actor. Stage names: Matsumoto Kōshirō X, Ichikawa Somegorō VII, Matsumoto Kintarō III. Other name: Matsumoto Kinshō. Real name: Fujima Terumasa. 1978: he makes his first appearance on stage at the Kabukiza, receiving the name of Matsumoto Kintarō III. October 1981: great name-taking ceremony at the Kabukiza for 3 generations of actors belonging to the Kōraiya guild (Kōraiya Sandai Shūmei); Matsumoto Kōshirō VIII retires under the name of Matsumoto Hakuō, Ichikawa Somegorō VI and Matsumoto Kintarō III respectively take the names of Matsumoto Kōshirō IX and Ichikawa Somegorō VII. the new Somegorō plays the roles of Fukuyama and Rikiya in the dramas Sukeroku Yukari no Edo Zakura and Gion Ichiriki Jaya.

The story of Abe no Seimei, an onmyōji in Japan's Heian period, fighting with evil spirits.

Adapted from the successful play, the film takes place in 19th-century Japan, where a war between demons and their slayers is fought. Izumo, a kabuki actor with a demon-slaying past, meets and falls in love with Tsubaki. However, something is not right, as mysterious marks appear on her body as time progresses. At the same time, it is announced that Ashura, the queen of all demons, will be resurrected and bring destruction to the universe.

Based on a true incident, this is a timeless story of a hot-headed young man who rebels against his parents and is forced into desperate straits, eventually losing himself in madness.

A young samurai stuck at the bottom of the hierarchical order attempts to rescue his childhood sweetheart from an evil clan lord after learning of a plot to kill her and her infant child. Bunshiro Maki is a skilled swordfighter who's lethal with a blade, yet still can't rise through the ranks of the system. After his father is accused of plotting against his clan and forced to commit ritual suicide, his longtime love Fuku is sent to Edo to become the clan lord's concubine. A few years later, Fuku has bore the clan lord a son. When Maki learns that the clan has hatched a plan to kill Fuku and her son to secure succession to the throne, he recruits two childhood friends to help thwart the diabolical plot.

Edo town thief called "Acrobatics boy" has been rampant in town, just that time, spy, Goro of Otaki will see a woman who had been an inside contact of the Yataro by chance. Also, Heizo is worried about the child of Inoue Tatsuizumi, who decided to ask for help for Gen'an.

In spring, a girl leaves the island of Hokkaido to attend university in Tokyo. Once there, she is asked to reveal why she wanted to go there in the first place.

A recording of a play based on the tale of Tōkaidōchū Hizakurige.

Includes footage of the oral presentation of the third generation of Ichikawa Somegoro VIII and others. In June 2007, when he was two years old at the Kabuki-za theatre, he played the chivalrous Harusamegasa in his first appearance under his real name 'Fujimasai'. Koshiro Matsumoto IX says he started jumping around in the middle of the day and was made to study without knowing he wanted to play Benkei Rokkata By the age of four, he had become Kintaro Matsumoto IV and is now Somegoro Ichikawa VIII. The film presents 10 years of close-up footage.

Documentary programme closely following the simultaneous one-year succession of three generations of the prestigious Koraiya theatre. Koshiro IX and Shiro Matsumoto II, Somegoro VII and Koshiro Matsumoto X, and Kintaro IV and Somegoro Ichikawa VIII performed the succession on 2 January 2008 at the Kabuki-za theatre in Tokyo. The film follows the unwavering transmission of the art of father and grandson. Testimony from Koshiro X's sister, Noriyasu Matsumoto, and younger sister, Takako Matsu. Also features family ties and rare glimpses of Koshiro away from the stage. An insight into the amazing feat of three generations of Kabuki actors who assumed the name simultaneously, a rarity in the 400-year history of the Kabuki theatre.

When he was young, Hasegawa Hirakawa was taken care of by the daughter of an izakaya, who wanted to become a secret agent. Although Hirakawa gave up this wish, Asami began to explore independently for the thief, Kogawara, the murderer, and the net cutter, who Hirakawa was looking for. Although he successfully entered the group of the uncle of the murderer, he fell into a desperate crisis.

