
Acting
Born on February 8, 1965 in Saint-Ouen, Seine-Saint-Denis, France as Karima Mathilda Haim. She is known for her work on Lifeforce (1985), The Jackal (1997) and Le cri du hibou (1987).

Hired by a powerful member of the Russian mafia to avenge an FBI sting that left his brother dead, a psychopathic hitman known only as The Jackal proves an elusive target for the people charged with the task of bringing him down: a deputy FBI director, a Russian MVK Major, and a jailed IRA terrorist who can recognize him.

A TV weather girl is torn between an older man, a famous married author whom she loves but who won't leave his wife, and a semi-deranged young heir to an industrial fortune who loves her.

A race of space vampires arrives in London and infects the populace, commencing an apocalyptic descent into chaos.

France, 2045. In the midst of a food crisis, Alexandra Delpech sees activists barging onto her property, determined to steal her land and transform it into a fertile oasis for the common good. Armed with her shotgun, Alexandra does not intend to be robbed so easily.

A child does not stand the idea of having a new brother and dreams about drinking milk from the breasts of his mother again. The child asks the moon to bring him a tit only for him.

When a young European woman assumes a false identity in 1920s Argentina, she gets more than she bargained for.

Robert is an architect and artist, in Vichy after separating from his Parisian wife. Robert finds it calms him to stand in the shadows of the home of Juliette and Patrick and watch her cook. She thinks he's a prowler and confronts him, then invites him in...

The true story of explorer, journalist and writer Isabelle Eberhardt, originally from Switzerland. She moved to Annaba in Algeria in 1897 with her mother, who preferred to live in the Algerian neighborhoods rather than the European neighborhoods that she hated, and converted to Islam. Her lifestyle shocked the French colonialists: she dressed like a man, frequented cafes and smoke shops. Fascinated by the desert, she traveled the Sahara under the identity of Si Mahmoud, she published articles and books on the world she discovered in southern Algeria, strongly criticizing the colonial authorities. Arriving in El Oued, the soldiers prevent him from continuing his journey. She disobeys and overhears officers shooting Arab prisoners. Arrested, she was accused of espionage and was expelled from Algeria. She married Slimane, a Muslim non-commissioned officer in 1901. Having become French through this marriage, she could now reside in Algeria.

Two young lovers whose romantic dreams were shattered, are reunited years later in this sweeping story of fobidden love.

A meeting of two world famous climbers, one an experienced mountaineer the other a sport climber, and a journalist (Ivan) results in a bet on which of the two is the best climber. Roger (the mountaineering expert) states that Martin (the sport climber) wouldn't survive a day on a 'real' climbing expedition, although he is considered to be the world's best sport climber (having just won an indoor 'world championship,' an event depicted in the opening scene). They plan to climb 'Cerro Torre,' in the Patagonia region of South America, near the Argentinian/Chilean border, one of the world's most difficult mountains, especially considering the extreme weather conditions common to the area.

Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.

Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.

Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.






