Two young officers, Saint-Avit and Morhange, get lost in the desert and find themselves prisoners of the beautiful Antinéa, queen of the city of Atlantis. Saint-Avit, blinded by his love for her, obeys her when she orders him to kill his comrade... With L’Atlantide, Pabst offers a psychoanalytic reading of Benoit’s novel, with a dominant female figure who enslaves her lovers before destroying them. The film’s fantasy dimension is disturbing, L’Atlantide bathes in a humid nightmare atmosphere, between the desperate search for a missing friend and the apparitions of an underworld lost in the desert. A long, discursive flashback suggests the Parisian origins of Antinéa, born from the marriage between Clémentine, a pretty, light-thighed French Cancan dancer, and an Arab prince seduced during a theatrical performance. But again, it's impossible to know whether these are the ramblings of an old alcoholic or the strange truth.

The farmer Christen, his wife Änneli, their sons Resli and Christeli, and their daughter Annelisi live together harmoniously on the Liebiwyl farm. The harmony is disrupted when Christen allows himself to be persuaded by the deceitful village clerk to speculate with his ward's money. As a result, all the money is lost, and the defrauded farmer has to pay the community for the damage out of his own pocket. This angers Änneli, whose great willingness to help is thwarted by Christen, who is becoming increasingly stingy. One harsh word leads to another, and soon the couple is facing a shambles. The children also suffer from the unfriendly atmosphere at home. Only a visit to church on Pentecost and the corresponding sermon make reconciliation possible.

In Vienna of 1913 a young woman coming from vaudeville theatre circles stands before the wedding with a construction draftsman; this must move to the military and sends his bride on the country, so that she cannot be enticed to the stage. However, she does it and gets by an officer's love affair so in confusion that she commits suicide. - This end environment-close and differentiates of produced melodrama was rejected by press and audience vehemently; the new second film end with the rescue of the desperate was supplied later, so that in this version only a bittersweet common melodrama with excellent actors and good photograph was left. In the rental company copy is the second version of the end jointly contain.

As sole female Junta is the only one who can climb a dangerous mountain, villagers deem her as a witch.

Irene Wagner, the wife of the prominent German scientist Professor Albert Wagner, had been having an affair with Erich Baumann. She does not disclose this to her husband, hoping to preserve his innocence and their "perfect marriage". This fills her with anxiety and guilt. However, Johanna Schultze, Erich's jealous ex-girlfriend, learns about the affair and begins to blackmail Irene, turning Irene's psychological torture into a harsh reality.

Little Peter lives with his grandfather near a dark forest. Although his grandfather forbids him to do so, Peter decides, together with his friend, the little bird, to catch the wolf that is terrorizing the whole neighborhood...

Freely adapted from Theodor Storm's novella of the same name.

Baron Siebenzell employs the young forest ranger Thomas Sebald, to stop the bold poachers he's plagued with in his beautiful mountain forests. Most of the men in the village reject and ridicule Thomas because of his job. Nevertheless he falls in love with the mayor's daughter Maria - not knowing, that her father is the poacher's leader.

The story of the Renaissance-era Swiss physician, alchemist and astrologer Philippus Aureolus Theophrastus Bombastus von Hohenheim, better known to the world as Paracelsus.

Else Riedel (Lissy Arna), locked out by her authoritarian father, seeks refuge with her boyfriend Hans. Complications threaten when Hans's roommate Max falls in love with her, but the situation is resolved: the three remain friends, and decide to form a music hall act. They want to ascend, but how? A way out beckons when a theatrical agent named Nevin enters Else’s life. He is played by Hubert von Meyerinck as a slick and oily villain, who oozes refinement; his experience behind bars is waved away with a silk scarf. He is cunning to the point of perfidiousness, but is not completely unsympathetic. He also embodies a new type - the scrounger.