Experimental short by Yo Ota.

How well can movies reproduce the reality we see? Cinema used to record and reproduce the movements of the scene using a camera (photograph), a device that records the scene in terms of perspective. Is it true? Isn't it possible that our way of seeing things, on the contrary, was created by photographs and movies, or by paintings based on perspective that existed before then? This film provokes the way of viewing films cultivated in this way.

Mamiya Mugen is a detective who has the ability to look into people's minds and show their dreams to others. He is lured by the disembodied voice of girl, Nayuko Mishima, who has been missing for months.

Tanaka is a young man who works in a scrapyard. He falls for his colleague Yoshiko, but she's trapped in a violent relationship with a small-time gangster.