Fujiko Mine, the devastating femme fatale whose only loyalty is to her desire, befriends a young boy whose late father hid away a fortune. A killer is on the boy's trail and it's up to Fujiko to stop him: but where do her interests really lie?

In 1897, actor, director, producer and theatre company leader Kawakami Otojiro set off on a tour of the USA with his wife Sadayakko and theatre company members, but in a foreign country where he could not speak the language, he had to struggle against a succession of adversities, including lawyers absconding with the proceeds and actors going on strike. One day, however, Otojiro arrives in Boston on his arduous tour and sees a packed house for a performance of The Merchant of Venice by the famous British actor Henry Irving. In just one night of rehearsals, they concoct a Japanese version of The Merchant of Venice, and perform the play to a foreign audience with bullshit dialogue and a reckless performance that can be cut short by "Sucharaka poko poko" when they get stuck on a word.

The story focuses on the exploits of rivals Reinhard von Lohengramm and Yang Wen-li, as they rise to power and fame in the Galactic Empire and the Free Planets Alliance, respectively.

The search for Sana’s comrades continues. Sara who opens up her heart to Sinbad reveals her horrible story of how her father’s apprentice Galip destroyed the peaceful kingdom and her family by using the wizardly power. Suddenly the Magic Lamp shows the passage “to the Wonder Gate to the land of ancestors that appears in the Night at High Noon,” but Galip’s solders block their path.

The Kuronuma Group, a huge mahjong organization that controls the political and financial circles of Japan from behind the scenes, has been growing rapidly by taking in underground professionals one after another with the overwhelming strength of the second generation leader, Nishimura Hiromitsu. In the midst of all this, a young pinch-player, Matsuoka, who respects Sakurai Shoichi, faces off against a low-level member, which leads to a confrontation between Sakurai and Nishimura...

The condemned criminal of the false accusation that I bet on a jailbreak to appeal for own innocence. It was revenge to the true criminal. The target is a fiance, beautiful office lady of the true criminal. Innocence to take her, and to appeal for by a threatening telephone call. In the escape drama, she mentions the gentleness of the man and knows the truth. The beautiful woman female office worker who I lose a heart to a man gradually and open the body by oneself, and pushes forward self-surrender. The urge to kill of the true criminal who broke into it alone takes two people then. And the truth of the case is uncovered!

Recorded on 15th April 1994 at Kinokuniya Hall, Tokyo. This play is what brought media fame to Koki Mitani back in 1991, performed by his theatre group Tokyo Sunshine Boys. It was adapted into a television special in 1992 and then in 1994 (the run the released DVD recording captures) they did another run. It was broadcast on NHK-BS2 on 26th May 1994, identical to the TV release but with differences in music. It is Mitani's typical farcical comedy where the characters follow only one rule: 'No matter what happens. Once that curtain rises. It must not be lowered until we finish our performance.' Koki Mitani said of the play 'They are outrageous people, but deep down, there is a firm principle running through their veins: "Once the curtain rises, no matter what happens, there is an ironclad rule." For stage performers, the phrase "the show must go on" essentially means you can't take the show off.'