Masato Gunji | WatchedThis
Masato Gunji
Acting
Biography
No biography available.
Filmography Movies
Acting
La Blue Girl: Revenge of the Shikima Realm
Three complete stories of Ninja Sexcraft! The live action version of the anime hit. Miko has been training all her life for the inevitable day when the sex-starved Shikima Demons would invade to subjugate the women of Earth with their lascivious tentacles. Now the barriers are breaking down and the people of Earth are in peril. The demons won't stop until they have insinuated themselves into every orifice available. Will the Shikima demons make slaves of all of Miko's friends? How can Miko possibly defend against the wrath of an entire dimension?
Kingdom 4: The Man Who Became Don
The Shimazu Clan's internal conflict over succession spirals into a full-blown war, pitting the traditional Miwa Clan, backing third-generation boss Tetsuo Sakuragi (Yasukaze Motomiya), against the Shinseikai faction led by former Saiko-komon Kippei Hagiwara (Kazuyoshi Ozawa), now aligned with the Ichio Federation. The feud escalates, engulfing Osaka’s two major yakuza factions and threatening to consume the entire region. In the midst of the chaos, Sakuragi takes an unexpected action to bring an end to the conflict…
Kingdom 3: The Man Who Became Don
As the Heisei era nears its end, the Shimazu Clan's second-generation boss, Yumizo Tokuma (Ryuji Katagiri), suffers a fatal stroke, triggering a power struggle. A succession battle erupts between Wakagashira Tetsuo Sakuragi (Yasukaze Motomiya) and Saiko-komon Kippei Hagiwara (Kazuyoshi Ozawa). Hagiwara's faction aligns with the Kanto-based Ichio Federation to block Sakuragi from becoming the third-generation boss. Targeted for assassination and detained by police, Sakuragi faces escalating conflict. The feud claims lives, including members of Hidetoshi Kaji's (Hitoshi Ozawa) Koga Family. Remembering Tokuma's wish to avoid internal bloodshed, Sakuragi withdraws from the race, vowing to step away. Yet, his decision may not bring an end to the turmoil...
Be-Bop High School 2-4
The bad corps of Aitoku, Joto and Tachibana rampage against the Johoku university cheering squad.
Zakennayo!
Tatsuo Hara (Ryosuke Yabe) arrives at Hailaku High School, a hangout for dropouts. He immediately wins the position of the first-year gang leader, but ends up making enemies with the third-year gang leader Ando (Gunji Masato) and the Ishin-gumi, who control the town!
New Young Mama Trucker: I’ll Settle This Once and for All
Kei keeps her truck rolling day after day, always thinking of her young daughter, Iku, who lives apart from her. Kei’s protégé, Maako, also drives a truck to pay her little sister Mio’s school fees. One day, Kei spots Mio taking money from a middle-aged man. Not long after, word comes that Maako has quit her job…
Kamen Rider Kuuga: New Year's Dream
On January 2nd, Yusuke Godai prepares the Pole Pole cafe for opening, reflecting on the events of the prior year's battles he's had as Kamen Rider Kuuga against the Grongi. This special serves as a clip show and is also referred to as episode 46.5
There Goes Benio, the Smart Girl
Benio, a peppy tomboy, is surprised to learn that she has been secretly betrothed by her grandfather to a young officer named Shinobu Ijuin. Because of his family’s noble status, Benio must first undergo rigorous training to learn how to be a proper bride and wife before she can marry. However, because of her vivacious personality, this proves to me more challenging than anyone imagined.
Mahjong Hishoden: Ryu the Caller
There is a man, who always win a mahjong game... His name is Ryu the Caller.
Unification of Japan 74
With Baba (Akihiko Kuwata) acting as Kyowakai chairman and Sakota (Hideo Nakano) leading the Marugami-kai, both groups begin a new chapter. Kyowakai finalizes long-delayed executive appointments: Hayashida (Ehara Shu) replaces the retired Nakajima as Shikoku block leader, while Hirakawa (Hitomi Matsuda) becomes Tohoku block leader by Baba’s nomination, easing concerns from Himuro (Yasukaze Motomiya), Tamura (Yoshiyuki Yamaguchi), and Ueki (Daisuke Nagakura). While drinking in Kobe, Baba drunkenly orders Himuro and others to “crush Marugami,” and the remark quickly spreads to Marugami and investigators. Baba then orders a manhunt, but Hirakawa objects and questions why the “Adachi-kai,” a group of delinquent gangs that fled Kyowakai’s control and formed in Tohoku, had been ignored. After being calmed by Himuro, Hirakawa heads to Tohoku to handle the group himself—setting the stage for new tensions involving Baba, Hirakawa, and the Adachi-kai.
Production
バッド デット
The performances of the actors, who are by no means the best, are humorous and tasteful, and their individual atmospheres are brought to life, perhaps due to the fact that they have made two films with almost the same cast. Daisuke Fukuhara, who plays Fukuhara, gives a particularly good, natural performance as a man who is completely off his rocker. There is also a distinctive sense of rhythm in the time-lapse explanations that connect the short shots, making this film unique in that it is somehow stylish and at the same time funny.
バッド デット
The performances of the actors, who are by no means the best, are humorous and tasteful, and their individual atmospheres are brought to life, perhaps due to the fact that they have made two films with almost the same cast. Daisuke Fukuhara, who plays Fukuhara, gives a particularly good, natural performance as a man who is completely off his rocker. There is also a distinctive sense of rhythm in the time-lapse explanations that connect the short shots, making this film unique in that it is somehow stylish and at the same time funny.
バッド デット
The performances of the actors, who are by no means the best, are humorous and tasteful, and their individual atmospheres are brought to life, perhaps due to the fact that they have made two films with almost the same cast. Daisuke Fukuhara, who plays Fukuhara, gives a particularly good, natural performance as a man who is completely off his rocker. There is also a distinctive sense of rhythm in the time-lapse explanations that connect the short shots, making this film unique in that it is somehow stylish and at the same time funny.