In the year 1786, Shogun Ieharu Tokugawa selected beautiful Ochisa to be his concubine. It causes other concubines to become very jealous and mean. When the Shogun passes away, his concubines are forced to become nuns, which they are not happy to be. The subject is life inside a shogun's harem, and the treatment is again more restrained than in most of the historical pinku eiga films being produced by independents at the time, but the tone of this middle installment in the trilogy is decidedly more grim than that of its predecessor. There's a good deal of abuse and violence on display, as the shogun dies and his concubines are sent to a remote convent to become buddhist nuns. the hysterical nuns are being punished for their transgressions and committing suicide in grand exploitation fashion.

With plenty of action, and a strong story about the growth and development of an expert swordsman, who just happens to be from an extremely privileged background.

While on his journey through the countryside of Japan, Shingo encounters many people whose lives have been affected by his actions. Though the many duels he fought were intended to bring justice to those who sought to do evil, he is faced with the knowledge that his victories have also caused suffering amont the family members of his victims-leading him to question his life's philosophy. This superb film is the final chapter in this part of Shingo's story. A fitting tribute to his quest to be the supreme swordsman.

The second film in the 20 Duels of Young Shingo trilogy directed by Sadatsugu Matsuda.

During WWII, Zensaku, middle-aged and deaf in one ear, learns that his son has fallen for the daughter of a war officer responsible for the maiming.

Noriko is perfectly happy living at home with her widowed father, Shukichi, and has no plans to marry -- that is, until her aunt Masa convinces Shukichi that unless he marries off his 27-year-old daughter soon, she will likely remain alone for the rest of her life. When Noriko resists Masa's matchmaking, Shukichi is forced to deceive his daughter and sacrifice his own happiness to do what he believes is right.

This is the story of a bad man who re-discovering humanity via woman and child while clashing with the yakuza and being hunted by a man called “Death” who has his own dark past. The prototype for the later two yakuza priest series with Shintaro Katsu and Tomisaburo Wakayama. Apparently so. And the swordsman motif seems to have been concurrent with Daiei's first ZATOICHI production.

Shigeki Kachi, Tosuke Satomura, and Nanako, who belong to the theater company Vuanbert around Dosa, withdrew at the indignation of the chairman Hayashi and seeked their own careers in the film industry.

In the city of Yokosuka, Kinta and his lover Haruko, both involved with yakuza, brave the post-occupation period with a goal to be together.

After handing in a report on the treatment of Chinese colonial labor, Kaji is offered the post of labour chief at a large mining operation in Manchuria, which also grants him exemption from military service. He accepts and moves with his newlywed wife Michiko, but when he tries to put his ideas of more humane treatment into practice, he finds himself at odds with scheming officials, cruel foremen, and the military police.