An ironworker and his equally tough friend decide to leave New Orleans to work as beam-walkers on a New York City skyscraper. This arouses the ire of his Cajun girlfriend who promptly shoots at him as he walks away and then follows him to the Big Apple where she becomes a nightclub performer.

Dance-hall girl Dolly Wall invests her life savings in an oil well. A gusher comes in, enriching not only Dolly but her ne'er-do-well socialite sweetheart Royce Wingate. While Wingate hobnobs with the Upper Crust, poor Dolly is left home alone, stigmatized by her "scandalous" past.

White Elk, a light-skinned Indian chief, incurs the enmity of Chief Black Panther, whom he prevents from looting a westbound wagon train. Although White Elk is betrothed to an Indian princess, he falls in love with Lucille Cavanagh, a white woman from the East. After her father, John Cavanagh, tricks White Elk into signing away the lands of his tribe, the young chief is condemned to be burned alive by Black Panther.

Nina Duane is a criminal lawyer whose gender was professionally resented by Philip Barry, the District Attorney. She wins acquittal for man-chasing widow Mary Booth, then defeats her in romancing the D.A.

Little Betty has a luxurious home, an army of servants and the costliest of toys. But she hasn't what a child wants most of all, other children to play with. The result is that she runs away and joins a group of children from the ghetto district on the beach. In play she exchanges clothing with a little boy. That evening Betty doesn't return home. Her maiden aunt, an over-zealous guardian, is frantic. She notifies the police. The same evening the father of the boy, who has lost his position and is facing starvation, decides to turn burglar. He steals into the home of Betty's father. The household is awakened and the intruder captured.

Robert Strickland, the self-confessed murderer of Gerald Trask, refuses to defend himself on the witness stand. His attorney, however, cross-examines Strickland's wife.

Rachel becomes the leading actress in the Comédie Française through the patronage of three influential men: Baron Hartman, the wealthiest man in France; Count Vareski, a relative of Napoleon; and Dr. Durande. All three men are in love with her, but she throws them over when she falls in love with Raoul Duval. A lost film.

This historical piece, set in the Huguenot days of France, is Norma Talmadge's 37th feature film and the longest to date at two hours. The plot involves a man forced into servitude who falls in love with the sister of his persecutor. It was Ms. Talmadge's fourth involvement with director, Frank Lloyd and the cast included future star, Wallace Beery.

Forced by the death of her mother to care for her three brothers and sisters, little Mona Fairfax is known to farmers of her district as Young Mother Hubbard. The children's step-father, heavily in debt and tired of the burden imposed by the little family, abandons his farm, leaving the children, penniless, to shift for themselves. The following day Daniel Banning, a wealthy "country gentleman" and owner of the Fairfax farm, calls to collect back rent. He finds Mona and her children panic-stricken over a note left by their step-father, telling of his decision to leave. Banning turns a deaf ear to Mona's pleas that she be allowed to remain on the farm with her wards. He notifies the Children's Welfare Society. Directors of the society go to the farm, load them into an automobile, and take them to the society's headquarters. At headquarters the chairman calls for volunteers to take the children into their homes.

"Do Children Count?" was a series of 12 films, each completely independent of the other.