In this lost film, Theda Bara took the role of spoiled, deceiving nymphomaniac "vixen" Elsie Drummond. She wooed Wall Street businessman Martin Stevens (A. H. Van Buren) away from his interest in her sweet sister Helen (Mary G. Martin). She continued to seek after rich men, eventually marrying young statesman Knowles Murray (Herbert Heyes) (again stolen from Helen) - but still willing to be unfaithful with Stevens who had since regained his fortune. (filmsite.org)

Theda Bara's vamping is at its most evil here. She plays the Russian Princess Petrovitch, who loves only her pearls. Her husband, the Prince (E.F. Roseman), sells state secrets to a spy to pay her exorbitant bills, and her response is to report him to the secret police. Then she runs off to Monte Carlo with her lover, Count Zerstoff (Emil deVarney), but she poisons him after he racks up a load of gambling losses.

Orphaned sisters Kate and Irene are separated as children, but each keeps half of their mother's wedding ring. Years later Irene marries John West, the head of a munitions camp. Kate, as fate would have it, happens to run the saloon in the camp and she and Irene become friends, but neither has any idea that the other is her long-lost sister. Matters take a turn for the worse, however, when Kate starts a romance with Cliff, Irene's adopted brother--a relationship that Irene strongly disapproves of. Complications ensue.

A scheme by a beautiful vamp to marry a wealthy young man fails, and the woman returns to her former lover, a sculptor. She is shocked to discover he has committed suicide, and the tragedy catapults her into insanity.

The Vampire is a surviving 1915 silent film drama directed by Alice Guy and starring Olga Petrova. It is one of Petrova's and Guy's few surviving silent films.

The film tells the story of a noble but poor woman who arrives at Boston in the 17th century. There she marries an old but quite rich doctor but does not become happy.

Wealthy New York contractor Wilton Demarest falls victim to the wiles of beautiful adventuress Mazora. Soon, he becomes addicted to drugs, neglects his wife and child, and his business is on the verge of ruin. By chance he meets his double, western mining engineer Martin Stanley. Demarest, half mad due to his drug addiction, conceives the fantastic idea of having Stanley take his place in the world enabling him to indulge in his degraded desires. Stanely, penniless and alone in the world accepts the proposition despite his reservations. Demarest drops into oblivion and Stanley picks up the scattered threads of his life, both in business and at home. The "at home" part is what causes complications.

Loutish Teddy Brant feeling trapped by his marriage and family commitments to the sweet Rose and their infant daughter Helen fakes his suicide and embarks on a dissolute life. Thinking herself free Rose remarries, and time passes contently. Years later, Teddy, now a hopeless derelict, wanders the country straying one night into the waiting room of a train station. He sees a young girl being accosted by an elderly gentleman who tries to entice her home. Teddy thinks nothing of the incident until he finds a purse lying on the seat and learns that the girl is his daughter Helen. Teddy hastens after them and in the ensuing fight, strangles Helen's assailant and then flees. Helen is arrested for the murder but is acquitted when Teddy staggers into the police station and confesses to the crime.

Hiram Danforth (William Farnum) is on a quest to find his birth mother, a search complicated by his upbringing and the social context of the time. The movie explores the themes of his murky, repressed past, and the journey he undertakes to uncover it.