During World War 2, a farmer in New Zealand murders seven people. The police, along with local Maori trackers, hunt him in the bush country.

A docu-drama covering one of the most famous cases in New Zealand history, the murder of Harvey and Jeanette Crewe in 1970.

The year is 1933. Ruby Rose (Melita Jurisic) is an Australian woman living with her Welsh immigrant husband Henry (Chris Haywood) in the Tasmanian highlands. Cut off from her superjudgmental family, for whom Henry had once worked as a humble farm hand, Ruby remains isolated in her tiny house. Superstitiously terrified of the dark, she begins developing her own folklore about the inky blackness that surrounds her each night; this folklore eventually develops into Ruby's own personal religion, created to ward off the evils that she imagines lurk in every corner. Only by venturing out of her house and rekindling her relationship with her embittered father is Ruby able to exorcise her fears. Almost hypnotic in its stark beauty, Tale of Ruby Rose is proof enough that writer/director Roger Scholes deserves to be far better known.

On the premise that his albums will sell better if he is dead, an aging pop-singer fakes his own death. True enough, the money rolls in, but no one can get their hands on it because of the seven year waiting period before a missing person can be declared legally dead. However, a crazed animal rights terrorist, who knows he isn't dead, is trying to kill him, because of the singer's advertisements for fried chicken restaurants. Eventually, it turns out that the singer's manager is paying the terrorist to kill him.

Investigative journalist Alf Winters (Morrison), meets his American girlfriend, Melissa Jones (Eilbacher), at Auckland airport. As they park outside Alf's house, it explodes. It is soon apparent that persons unknown want them dead, but the police are either skeptical or in the pay of those responsible. They play hide and seek around New Zealand with the stalkers, all the while coping with car chases, plane crashes, bullets and explosions.

Two old men with Confucian beards are adrift in the ocean, a placid Friesian cow in tow. A surreal study on how quickly a minor event can evolve into something far more extreme, the film features no dialogue; rather, a guitar duet that escalates to a duel.

In 1943, U.S. marines are stationed near Wellington. One of them is murdered by the boss of the Hotel Workers Union, who is sitting pretty, exempt from military service and living it up on black market profits. Girls under the control of the union - of whom the victim's fiancee, Rose, is one - give sexual favours to the Americans, in return for information. The marine assigned to investigate the murder, tries to find Rose through a public health nurse who traces VD infections. However they discover there it more going on than they realized, involving a conspiracy amongst the Union, the government and the U.S. military.

When a young Australian hitchhiker, Judy (Peers), enters a prohibited forest area, she encounters Paul (Gil) whose job is spotting fires from a plane. She is invited to stay with him and his teen son, Billy. Later they go on a sightseeing flight in a "Tiger Moth" bi-plane, but having a forced landing, are accommodated by an odd elderly couple.

Amid the high country of the North Island interior, wild horse roam and breed. With the trees gone, Dan Mitchell and the Sullivan brothers, turn to the wild horses as a source of income. With rope and snare - and the help of an experienced horse catching team - Sam and Sara's example, the rough ex-loggers learn to respect a delicate balance between the wild horses and their catchers. The best stallions are left to breed and their riding horses are retired back into the wild herds.

The world is dead. A lone woman, Victoria, struggles valiantly to stay alive on this desolate planet once known as Earth. But Victoria is not alone here. She shares her horrifying new world with beings of a different kind... the living dead, ferocious beasts hungrily searching for human flesh. With a sawed-off shotgun strapped to her back, Victoria drags a dead body through this horrifying new world in a desperate attempt to hold onto her humanity... to hold on to her past.