A team of amateur filmmakers sets off, camera in hand, to the south of Morocco. During their stay, one of the members of the group, Fanette, a vulgar vampire, is murdered. The Moroccan police do not find the culprit, and Paris takes over the case. The inspector in charge of the investigation decides to view all the "works" made on site, in the presence of their author.

Coming from the London bourgeoisie, the Nosferat (this time, with the vampire taking on the role of the famous serial killer who raged in the London district of Whitechapel in 1888), reforms bourgeois morality by reducing its puritanical contradictions. He executes prostitutes “in the name of Virtue, Morality and order”, as a result of a repressive education he received, especially on the sexual level...

"It's a very simple story, shot in a quiet street in Brussels. People waiting for the bus that is late, talking to each other, trusting each other, talking about the weather and giving each other practical tips. It is life as it is, in its troubling banality, that Van Antwerpen shows us. " (Luc Honorez, Le Soir, 1974).

Sarah Moreau is a brilliant lawyer who controls everything in her life. Her business woman life does not allow her to leave anything to chance, especially on holidays. And now it's Christmas. Everything seems to be under control. Anything but destiny - When Christmas became the longest day, how to keep the Christmas spirit?

Paul Géniat, television director, is brought to tear multiple photographs. The one of a boxer who, at the exact same time, collapses on the ring, dead. The one of his ex-wife next, who lives in Congo and soon knows a tragic end. When Paul Géniat learns of these curious coincidences, he is convinced that he is responsible for these deaths. At that moment, he realises that he just tore one last photography, the one of the woman he loves.