Theater in film: Maryša by Jan Mikulášek, directed by Viktor Tauš, is a thoroughly contemporary cinematic confession of a woman who has decided not to succumb to the pressure of those around her and, if she cannot fulfill her love, would rather cause death and self-destruction. A ballad about a case where preserving inner dignity is more important than life itself.

What led a former top scientist to rob a bank and hold a dozen hostages? Czech Television's crime thriller based on Martin Goffa's novel "The Little Girl" is squeezed into two environments - the interior of a robbed bank with hostages and the interior of a crisis management car, from where the police communicate with the mysterious attacker and try, like him, to play for time and find out more about him. The flashbacks also tell the story of the attacker's daughter Karin from the recent past, gradually revealing a connection with what is happening in the current storyline.

The film's protagonists get an opportunity to make a wish. Consequently, their lives take the path they themselves ordained. Several "coincidences" bring them everything they wanted and they have the chance to experience their wishes. We are not only responsible in our lives for everything that we do, but also for everything we say, we think and desire.

Irena is the energetic owner of a thriving business. However, after a serious car accident, she decides to sell her company and donate the proceeds to those in need. When her son Jarda finds out that she has begun giving away the fortune he was supposed to inherit, he begins to pressure his wife to have his own mother declared incompetent.

Captain Vašátko of the criminal police and Horác, a painter, bohemian, and amateur detective, are searching for the murderer of Daniela Jásková, an emancipated young woman who excelled at her job and also excelled at changing lovers. When she is found strangled in her apartment, Vašátko's team begins an investigation. They also focus on the victim's sister, Alena Kášová, who did not like Daniela very much and resented her ability to win over every man. Suspicion also falls on Alena's ex-husband, the sculptor Káš, whom Horác has known since his studies at the academy.

In 1951, the well-known Czech actress Jiřina Štěpničková receives a letter from Austria from director František Čáp, who has recently emigrated. He invites her to the West and promises her roles in theater and film. She decides to seize the opportunity and flee. Together with a small group of people and her young son Jirka, she entrusts herself to a smuggler and embarks on a risky journey across the border. But something goes wrong. They are caught. Everything had been planned in advance. The smuggler himself is a member of the StB. But that's only the beginning.

A tale of a boy whose desire to correct human vices was stronger than the power of hell itself. Apolena, a herbalist, finds an abandoned newborn baby in a rye field. She names him Rye and raises him into a brave young man. Rye is recruited into the king's army and the king's evil advisor, Prince Neklan, orders him to collect taxes from his subjects. Rye learns first-hand how evil and unjust power can be and rebels against it. His sense of justice, joy of life and cleverness charm even Princess Adelka, but he also catches the eye of the devil Philistine, who would like to bring him to hell. So she disguises herself as the beautiful Marquise and tries to lure him to the benefits of evil: he will be rich and famous. But Rye cannot be lured. And so, in addition to Neklan, who is also trying to win Adelka, he must also fight against the power of hell itself.

The love story of students Jana and Tomáš begins in Prague just after the establishment of the First Republic. Their impulsive "escape to Buda" marks not only the liberation of the dissatisfied Jana from her monotonous life with her mentally unstable mother, but also the beginning of their fateful marriage. They settle in the picturesque Slovak foothills, on the sprawling estate of Tomáš's vital father, with whom Jana strikes up a deep friendship. Soon, however, she is visibly affected by Tomáš's surprising transformation. The marital crisis is deepened by the unstoppable decline of the estate. The family's efforts to establish itself in Vienna, which after the collapse of the monarchy is only a memory of its former glory, also fail. Jan's enterprising brother-in-law lends a helping hand. The return to prosperous Prague is their last chance, but it brings something different to everyone...

Princess Stella wakes up every day in a different form. She has one week left until her eighteenth birthday, and if she cannot be cured of this strange illness, she will continue to transform throughout her life.