Evening. Periphery of the city. A seemingly banal phone call between a man and a woman turns into a single contact between a mugged girl and her boyfriend. Can the man intervene in time to save the girl?

Sixteen-year-old apprentice Zuzka commutes to Prague, where she is studying to become a "mechanic and agricultural machinery adjuster." She lives alternately at a boarding school and at her parents' farm. At home, endless work awaits her, and at school, she is constantly ridiculed by her classmates. Only at night, in the girls' dormitory, under the covers, can she live out her dreams of love. She is secretly and platonically in love with actor and singer Jiří Pavel, about whom she knows everything. She keeps a scrapbook diary in which she records all of Pavel's acting and singing successes.

Even under socialism, which proclaimed the equality of all people, there were status differences. A young bricklayer, who has fallen in love with a college girl from a "better" family, feels this first-hand - the girl's petty bourgeois parents are fundamentally opposed to an unequal relationship from their point of view. In protest, the young lovers decide to live in a tent for the time being and go straight to the park. The surprisingly clueless director Ladislav Rychman has tried to merge disco songs with a tame satire on modern-day rich people.

A bitter-sweet comedy about two people who wish to live life to the full despite their age. Ota is a retired high-school teacher and at this point in life has various foibles that complicate life for his son and daughter-in-law. Moreover, he has a complicated and risky eye operation ahead. That is why Ota decides that this is the time to look up Jana, the retired actress who had influenced the course of his life many years ago. However, his reunion with Jana - who lives in a retirement home - works out differently to his expectations. Although disappointed at first, it is actually this zestful lady who sets Ota in the right direction again. Thanks to Jana, Ota finds the courage to set out on an exciting road-movie trip of the kind he would never have had the courage for in his youth. Their meeting and the excursion, full of unexpected turns and new impressions, give their lives a new dimension.

Gabriela Preissová wrote her two most famous dramas, Gazdina roba and Její pastorkyňa, when she was not yet thirty. Both were set to music and became famous. The first opera, entitled Eva, was written by J. B. Foerster, and the second by Leoš Janáček. The fame of Janáček's work greatly overshadowed the original. On the other hand, "Gazdina roba," the author's debut work, is still performed on Czech stages, regardless of the era. That is how powerful and impressive this drama is. The production by director Zdeněk Kaloč premiered at the Vinohrady Theater in May 1992. Dagmar Veškrnová endowed the title role of Eva the seamstress with warmth, temperament, pride, and tragic shadows.

The fate of father and son Horáček, but this time they switched roles. Jirka has married, settled down and grown up, while his father is in trouble because he has "second lymphoma" and, feeling that he is missing the last train, he starts a relationship with a stripper, Ala, dyes his hair, but mostly he likes a pretty and kind nurse, Lucie. Although he behaves in such a way that it seems to others as if he has lost his mind, everything turns out well, of course.

Young Filip is cursed with terrible luck ever since his father dared to outwit Lady Fortune herself, and to make matters worse, Filip falls hopelessly in love with Fortune’s daughter, Hanička. Determined to win her heart and break his family’s jinx, he embarks on a fantastical journey around the world, where an unlikely alliance with a compulsive liar named Kdokoliv (“Anybody”) becomes his only hope in the struggle for Hanička’s love.