Circumstances force the unstructured yet charming Danish Bohemian novelist, Simon, to share his flat in Copenhagen with the very organized and beautiful Swedish lawyer, Malou. Simon dreams of children and a family. Malou is solely focused on her career. Despite being in opposition they warm up to each other. But even though opposites do attract - can they also manage to live together? Against all odds their meeting sets of a chain of events, which will ultimately change their lives forever.

Lars applies for job training, but his papers are mixed with an immigrant and he's sent instead to Danish class. When he learns that the attractive teacher, Ida, will lose her job if the immigrant isn't in attendance, he decides to go through with the erroneous assignment posing as the other guy. The short film is a comedy of errors, but works in some poignant and scathing observations about xenophobia.

After weeks of traveling through Europe, the immature William finds himself in Copenhagen, the place of his father’s birth. He befriends the youthful Effy, who works in William’s hotel as part of an internship program, and they set off to find William’s last living relative. Effy’s mix of youthful exuberance and wisdom challenges William unlike any woman ever has. As the attraction builds, he must come to grips with destabilizing elements of his family’s sordid past.

A small provincial town is buzzing with excitement: the town´s most illustrious son, a world-famous opera singer, is coming home. Meanwhile, Sebastian, a kitchen boy who is as good as married, falls head over heels in love with the new maid, Maria. Their love affair, along with rumours that the opera singer and the kitchen boy are related, turns the town upside down, threatening to ruin everyone´s high expectations and the opera singer´s triumphant return.

Maybe the best thing to come out of Scandinavia during the hippie years was, in fact, the story of a radical libertarian and a hedonist capitalist. Their friendship, forged by being outsiders in a conformist country, took them through years of adulation and success, with slight detours into the welcoming arms of vilification and imprisonment. A joyride through taxation, mass travel, hookers and politics. Not feeling too constrained by historical facts, director Christoffer Boe's story of Simon Spies and Mogens Glistrup covers just a few of their decades in a tale of warmth and humour, defiance and eccentricity.

When a viking mercenary finds himself in the middle of a battle between the old gods and the new, he decides that neither side deserves to win. And so begins an epic battle between good and evil that will decide the fate of a nation.

Nora lives a perfect life in her perfect home with her perfect husband Helmer. But inside, something feels completely wrong. A nagging doubt has begun to haunt her. Unable to recognize herself, she has begun to long for something she does not know what is. The film is a modern paraphrase of Henrik Ibsen's classic story about Nora and Helmer – a story that, in light of our modern performance-oriented society, has taken on new meaning.

A powerful story of a young boy struggling to deal with his mom's mental illness. With the help of his new-found friend he finds a way to un-mute his suppressed feelings and break the taboo.

Gunman Flame and his partner Citron assassinate Nazi collaborators for the Danish resistance. Assigned targets by their Allies-connected leader, Aksel Winther, they relish the opportunity to begin targeting the Nazis themselves. When they begin to doubt the validity of their assignments, their morally complicated task becomes even more labyrinthine.

2035. Europe is in ruins. Traditional warfare has collapsed. Drones fail. Autonomous weapons fall silent. In the wake of a war it cannot win, NATO authorizes the unthinkable-a covert black-ops experiment on Danish soil to create a living weapon: a genetically engineered predator built to hunt, adapt, and annihilate. The project is terminated. Erased. Forgotten. Until now.