Acting
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1905 was a period of heavy immigration from Europe to America before laws were passed restricting the flow of immigrants. Almost every character in this movie is a recent arrival. Tisa has been in America only four months, yet she is holding four jobs to save enough money to pay for her father's boat passage to America. She works in a garment factory in Greenwich Village owned by Mr. Grumbach, who is studying to pass his citizenship test. Denek, a brash young man, tries to help her but gets her into trouble and her deportation is ordered by an immigration judge.
Ten years after the end of World War I, Austrian soldier Franz leaves Russia and returns to his village, where he is reunited with Frieda, a woman who believes he is her long-lost son. She seeks him out and greets him with such loving joy, that Franz doesn't have the heart to tell her the truth. He stays with her and when he gets to know his new girlfriend Annie, he begs her to hide his true identity from Annie. Annie, for her part, has seen through this charade already, but chooses to say nothing and to continue to care for Franz.
A unlucky village railroader causes a trainwreck by accident. In court he is exculpated by a woman who first becomes his lover, later on his wife. But in the end, his guilt is too strong and he faces his due punishment.
Peter escapes a firing squad and leaves the island of San Quinto on a commercial flight to Bermuda. The plane is hijacked by a Nazi and San Quinto's Ex-General Cordobas who shoot pilot Pink and damage the landing gear of the plane.
Aging Duke of Altair, a charming widower, plans a third marriage and enlists his son Edgar to choose among three noblewomen. Unexpectedly, Perpetua, young, spirited daughter of the late stewardб returns after a decade, instantly captivating both father and son. As their affections collide, the Duke realizes he cannot stand in his son’s way. In a moment of wise selflessness, he withdraws from Perpetua’s pursuit and instead courts Rosabel Fleming, honoring both tradition and his heir’s happiness.
Director Wolfgang Staudte who left East Germany in 1953 to make movies in West Germany, takes a few swipes at the West German judicial system in this fairly effective courtroom drama about the murder of a four-month-old baby. Police almost immediately arrest the mother Ingrid who is the mistress of the father, a rich business VIP married to another woman. His position and wealth keep him insulated from suspicion. A hot-shot lawyer has to overcome the unaccountably biased perceptions of the police, the judge, the prosecutor and almost everyone else in the judicial system. The defence lawyer, driven to an extreme, knows he has to find the real killer or his client will be convicted.