A woman gets into a fight with her boyfriend, concerning her lack of humanism. Leaving him abruptly at the Santa Apolónia Station, she strikes a conversation with an interesting homeless man whom she decides to take home to just to show her boyfriend that she cares.

Laura doesn't know what to do with her loneliness. She gets involved in multiple games of seduction, unable to go home alone, without someone to share her affections with. She confides in her sister, Sara, they share dinners, they confide their fears. Laura feels she has to change, to escape the chaos that her life has become, especially when her children surprise her with a stranger in her bed. She then seeks out her mother, as if trying to reconcile with her.

Thirty-five Portuguese dancers undress in front of the camera. They become the object of desire with a sensual provocative performance. Eclectic dance disciplines help this film to explore an exhibitionist view of the male nude. This is a statement about the current financial situation in Portugal and the lack of fundings to support artistic initiatives.

After breaking up with her boyfriend, a woman named Odete descends into madness and claims to be pregnant with the child of her neighbour Pedro, who died in a car crash and is mourned by his boyfriend Rui.