A love story which unfolds over three days and nights on the outskirts of the metropolis. Seventeen-year-old Ema (Dorota Nvotová) breaks up with 'dude' Viktor (Lukás Latinák), has a fling with future pilot Karel (Mário Kubas), and meets a real man (Ondrej Vetchý), a taxi driver without a taxi. In the tangle of relationships, the characters sometimes have an opportunity to share their feelings, but sometimes they simply pass each other by. The story is told through Ema's eyes as she observes the world around her while searching for love, fun, and joy. But she's not the only one looking for happiness, nor the only one who finds it hard to avoid hurting others in the process. Ema's abandoned mother (Jana Hubinská) looks for another chance for love, while Karel's parents try to put long-lost meaning back into their marriage.

Operation Danube was the cover name for the invasion of Czechoslovakia by Warsaw Pact armies in August 1968. The fleet of Polish tanks which arrive to liberate their neighbor, ostensibly threatened by a counter-revolution, includes the old tank nicknamed Ladybird, which is the last to leave the barracks.

Julie is a woman who seemingly has everything. A handsome husband, teenage daughter and a thriving, undemanding job as a translator and now even a new dream house ... But she also has a secret that is slowly changing her idyllic life...

Comedy about soldiers.

Ofka has fallen into a strange lethargy: while most of her high school classmates continue their studies, she refuses to leave the deceptive comfort of childhood, which is quickly turning into a stifling trap. She works in her brother-in-law Eda's 24-hour shop and lets the fragments of wasted lives of regular and random customers, as well as those of her old friends who, like her, only really live at night, flit around her. Sometimes she drops in on a group drinking in the Vltava harbor, wanders the streets with the eccentric Ubre, who is fascinated by fishing discarded items out of trash cans and hopelessly in love with her, and avoids Míra, who, on the contrary, has stopped loving her. However, it is becoming increasingly clear to her that one day she will have to say goodbye to her childhood, cross the borders of her native neighborhood, and start doing something with her life...

Helena, is about to give birth and face a rosy future in a modern city, as the pregnant wife of an important factory manager. However, all her illusions soon perish, as the dead body of a newborn intersex baby is found in the middle of their factory. Helena needs to find out what happened here for the safety of her own child, but she runs into her own prejudices.

The story of a young woman who takes it upon herself to save her brothers and rid them of a curse which they were put under by their mother.

In the TV adaptation of Donald Churchill’s play, Jane’s affair comes to light when her lover’s furious wife Marcia threatens to expose her, so Jane persuades their building painter Walter to impersonate her husband and defuse the scandal. Unbeknownst to her, Walter’s a passionate amateur actor who seizes the chance to play Othello, unleashing a madcap parade of misunderstandings as both women lavish affection on their faux spouse to prove who’s superior.

The four stories in the film form a mosaic of the fates of several married or partner couples who, at a certain turning point in their lives, are dealing with issues of wanted, unwanted, desired, or thwarted parenthood. The intention of screenwriter and director Alice Nellis is to use the parallel narration of several stories to show that the problem of modern parenthood is broader and deeper than the specific situation of any individual character. The number one domestic director once again comes up with a story that can touch viewers regardless of age or status. Each of the stories told about the desire for a child, the fateful decision of whether to have a child or not, or the effort to cope with the pitfalls that life has placed before us, could be your own.

What if the events in a key era in our history were actually completely different than what our history textbooks try to tell us? What if Master Jan Hus didn't even get warm in Constance, let alone burn up? What if Jan Zizka had more than one healthy eye? This animated comedy from director Pavel Koutský playfully breaks the myths about the Hussite era as the pedestal of history is occupied not by preachers and military leaders but by two unbelievable scatterbrains, who become the heroes of their time against their will.