“I had many friends before the war; many of them are dead now”, one of the narrators comments, looking at a photo of her classmates. “We had a perfect life, but we were never satisfied,” she adds laconically. The secondary school in Mostar united them, the War of Independence divided them. This mosaic of memories of the early 1990s is composed of contemporary postcards and silent shots of places where wars were once fought. Their calmness today contrasts with the emotional excerpts from the letters of the Croatian students. They describe their flight across the border, their experiences in refugee camps, and their lingering hatred of the enemies who robbed them of their home and youth.

To promote their book Bosnian Flat Dog, Swedish comics creators Max Andersson and Lars Sjunnesson tour the countries of former Yugoslavia with a mummified Marshal Tito in a refrigerator. They encounter a number of artists, musicians, publishers and other characters populating the post-Yugoslav indie cultural scene. As the journey continues through increasingly improbable surroundings, the protagonists begin to question themselves and the reality they find themselves in. Watching border controls turn into improvised snapshot sessions, admiring mutant iron-curtain Disney toys, buying souvenir grenade shell handicrafts and discovering sniper art in blown-out apartments, they find that truth may indeed be stranger than fiction.

Through a photographic narrative, this film presents texts of Bosnian poet Marko Tomaš. Marko and Maja are moving flats in Sarajevo. Maja's depression turns Marko's struggle into poetry, and played on the radio, Marko’s poems become the last bridge of communication between them

Three guys travel by car and boat from Oslo to Balkans.