When Leon, a recovering addict, discovers the terminally-ill sponsor he adores is planning to self-euthanise, he feels a sense of betrayal. He begs Iver - the man he sees as a hero - to watch the tribute show he's been preparing in his honour.

Adam and Paul are two young junkies living in Dublin and perpetually on the lookout for their next fix. During their search, they encounter various unsavoury characters and make some futile attempts at petty theft. As their day progresses, Adam and Paul get into a good share of trouble as they do whatever they can to score heroin, eventually running afoul of an imposing thug—who only drags them into more shady activities.

Americans want to take over the Irish creamery Angela Mooney's husband built up. Everybody in town is delighted, with the exception of Mrs Mooney, who has her own reasons for being opposed to the sale of the business.

A dialogic character study exploring the broader social impetus of Laud Humphreys’ infamous 1968 dissertation in Sociology, Tearoom Trade. The study was based on observations made in public restrooms in St. Louis, colloquially called "tearooms", where homosexual men of different socioeconomic classes engaged in sexual contact. With his controversial research methods, in which he observed sexual acts as a voyeur, or so-called watchqueen, and conducted interviews, Humphreys deliberately broke with the ethical protocols of science. The film explores Humphrey’s intentions and the context of his research as well as the personal and professional impact of the study on Humphrey’s career.

The two-part feature film 'Masquerades of Research: Part I and II' is a fictional biography of pre-queer sociologist Laud Humphreys, author of the infamous book 'Tearoom Trade: Impersonal Sex in Public Places' (1970, 1975). Part I begins in St. Louis in 1967 in a pre-Stonewall and pre-Watergate USA, exploring the impetus behind Humphreys “Sociologist as Voyeur” research method — a still radical gesture and one of the first in the Western canon to turn the ethnographic gaze back onto the hypocritical conservative mindset that created it. Why can’t statistics be avant-garde? Part II begins in his Californian office in 1975, where we find Humphreys sweating in a radically different USA on the cusp of republishing 'Tearoom Trade'. Its relevance to contemporary discussions of intimacy, social presentation and data control is delicately carried by visual intensities and rich performances that keep as many secrets as they give away.

Three close friends who have never left the outskirts of Dublin (much less Ireland) get the journey of a lifetime — a visit to Lourdes, the picturesque French town and place of miracles.

Coward is a 28 minute film set during World War 1 that brings to light some of the brutal treatment soldiers received for suffering what would now be known as shell-shock. It follows two cousins, Andrew and James, from their home in Northern Ireland who join the British Army to fight for their Country and make their families proud. Through their eyes we see the reality of life on the front lines.

When his estranged father returns, a hairdresser is forced to quit performing at the local drag club.

Vampire Lestat awakens from his slumber and becomes a rock star. But chaos strikes when his music awakens Akasha, the vampire queen, who may not rest until she makes Lestat her new king.

A teenager lies about his brother's death and struggles to face the consequences that unfold until his domineering father offers the possibility of forgiveness.