The Laziest Girl in Town features the transvestite antics of Morrisroe, Stephen Tashjian (Tabboo!), and Jack Pierson, culminating in an obscene sequence reminiscent of John Waters' Pink Flamingos.

Morrisroe's longest film, Nymph-O-Maniac, tells the story of a portly phone sex operator and her insatiable girlfriends, one of whom comes to a grisly end at the hands of two sadistic young toughs. One of Morrisroe’s three surviving films (a fourth, centered on the murder of his cat, was censored immediately after it was shown, and has been lost) that all engage with the experimental cinematic language of their time, incorporating elements of horror cinema, a punk ethos, and the outrageousness of artists like Jack Smith, Kenneth Anger, and John Waters.

Loosely based on a one-act drama by Tennessee Williams about a prostitute dying in a fleabag bordello, Hello from Bertha is played out in a Boston bedroom with spotty Southern accents and loose wigs. One of Morrisroe’s three surviving films (a fourth, centered on the murder of his cat, was censored immediately after it was shown, and has been lost) that all engage with the experimental cinematic language of their time, incorporating elements of horror cinema, a punk ethos, and the outrageousness of artists like Jack Smith, Kenneth Anger, and John Waters.

Morrisroe's longest film, Nymph-O-Maniac, tells the story of a portly phone sex operator and her insatiable girlfriends, one of whom comes to a grisly end at the hands of two sadistic young toughs. One of Morrisroe’s three surviving films (a fourth, centered on the murder of his cat, was censored immediately after it was shown, and has been lost) that all engage with the experimental cinematic language of their time, incorporating elements of horror cinema, a punk ethos, and the outrageousness of artists like Jack Smith, Kenneth Anger, and John Waters.