Edgar Wilson, a roadkill collector in rural Brazil, dreams of escaping his small-town existence with Nete, the love of his life. When Nete decides to join her family in an apocalyptic cult, Edgar finds himself at a crossroads. With the world on the brink of destruction, Edgar and his unlikely companion Tomás – a disgraced and excommunicated priest – embark on a dangerous road trip through a landscape plagued by chaos and despair.

Based on Érico Verissimo's literary trilogy, Time and the Wind follows 150 years of the Terra Cambará family and their opponents, the Amaral family. The struggles between the two families begin in the missions and lasts until the end of the 19th century. The film also features the period of formation of the state of Rio Grande do Sul and the dispute of territory between the Portuguese and Spanish crowns.

Apnea presents a week in the life of Chris and her friends. Chris does not want to sleep. Afraid of her sleep apnea and her own unconsciousness, Chris stays up several nights in search of some sort of sense to her life that she did not see during the day, always living on the edge of her own body, and of existence itself, and dragging everything around with her.

After two middle class teenagers commit a horrific crime, their parents debate whether they should protect their loved ones or let them face the consequences for their actions.

In 1996, during one of the biggest tropical storms ever to hit Rio de Janeiro, Ana and her firefighter team must evacuate a nursing home at risk of collapsing — but they soon discover the place’s mysterious residents have other plans with the arrival of the rain.

Inspired by Jorge Luis Borges’ The Disinterested Killer Bill Harrigan, Garoto follows a young couple who find themselves in an enchanted place where they experience an amorous and spiritual adventure.

Luiz Mario, a São Paulo night-club impresario and a classic "bon vivant", is also an avid collector of love affairs. He is surrounded by all types of women, with whom he has torrid flings, but he is never able to emotionally involve himself. Until one day, while passing by Rio de Janeiro, he falls head-over-heels for the carioca Malu, who practically runs him over on her bike while riding down Leblon's beach bike path. The couple's fervent romance is abruptly thrown into disarray when an enigmatic love letter is discovered. From then on, the story between the two lovers is turned upside-down. Luiz Mario is consumed by jealousy and his emotions slowly seep into his relationship, destroying everything.

For this behemoth, Bressane took his opera omnia and edited it in an order that first adheres to historical chronology but soon starts to move backwards and forward. The various pasts – the 60s, the 80s, the 2000s – comment on each other in a way that sheds light on Bressane’s themes and obsessions, which become increasingly apparent and finally, a whole idea of cinema reveals itself to the curious and patient viewer. Will Bressane, from now on, rework The Long Voyage of the Yellow Bus when he makes another film? Is this his latest beginning? Why not, for the eternally young master maverick seems to embark on a maiden voyage with each and every new film!

Over a tense day in the emergency hospital, we follow the surgeon's work Evandro and staff in three cases that require risk surgery: a drug dealer, a military police officer and a rich family child, all injured during a shootout in a slum next to the hospital.