The Count sets out to make a private room for him and his Countess, built in such a way no one can see, hear, and most importantly, disturb them. But unbeknownst to the Count, his wife has set her eyes on the court minstrel. Based on Edgar Allan Poe's “The Cask of Amontillado” and Honoré de Balzac's “La Grande Breteche”.

George Waring becomes infatuated with Miss Lowe and his wife divorces him, While driving, Miss Lowe's horse runs away and she is heroically rescued by Dick Watts, a handsome youth who falls in love with her.

Gertrude chooses Jim over Jack, which makes Jack very jealous. Later Jim dies, and Jack marries Gertrude. He finds himself once again very jealous of the late Lucky Jim.

A man sacrifices a new marriage for the happiness of his daughter.

A young woman (Linda Arvidson) is kidnapped by a band of opportunistic Chinese slavers, led by devious Pong Lee (Harry Solter). A resourceful female police operative (Marion Leonard) is determined to rescue her, and tracks the mastermind of the kidnap plot, Hendricks (George Gebhardt). Though successful in her rescue effort, the rescuer ends up being made a prisoner herself. The slavers plan to make her the victim of a pistol shot to be triggered by the hands of a clock. The heroine is rescued by police seconds before the hands of the clock reach the "fatal hour".

The amateur dramatic society chooses the Joneses' residence as the location of its next meeting, and both Joneses catch 'the acting bug' in this split-reel subject.

A contest is being held in Cremona for the best violin, with Giannina's hand in marriage as the prize. Filippo is secretly in love with her, but is also ashamed of being a cripple, so he switches his superior violin with that of another apprentice, Sandro, whom Giannina loves.

A man arrives home late and drunk as usual. His wife reminds him that he's supposed to take their daughter out to a play. While watching the play, he's faced with his own drinking evils and how his life would be without them.

Nekhludoff, a Russian nobleman serving on a jury, discovers that the young girl on trial, Katusha, is someone he once seduced and abandoned and that he himself bears responsibility for reducing her to crime. He sets out to redeem her and himself in the process.

Antonine, a worthless, good-for-nothing scoundrel, demands money of his cousin Galora, an energetic, provident husband and father. His demands are met with a positive rebuff, and when he becomes insistent be is forcibly ejected by Galora. As he leaves the tenement he vows to get even, and lies in wait until Galora has gone out on business. Climbing to the fifth floor, on which the Galoras live, he watches his chance, which comes when Mrs. Galora goes for an instant to visit a neighbor on the same floor. Darting into the apartment and raising the window he perceives the awful result of a drop to the ground, five stories below, and so evolves a plan that is dastardly in the extreme. Taking the infant child from the cradle, and placing it in a basket he lets it out with a short rope, the end of which he secures by letting the sash down on it, so that to raise the window would precipitate the baby to destruction.