A dance music theatre piece that evokes the world of childhood and its careless pleasures. But beyond pure entertainment, this performance contemplates the meaning and the importance of play when we become adults. World stage premiere dec 7 2017, Paris.

Johnny, a local activist, is wanted by the police after a robbery gone wrong. Paul, his childhood friend, comes back home after 15 years to find him before the police. Investigator Anna Radoszewski is also on Johnny’s trail. Thus begins a search in which memo- ries and secrets resurface. In a social context that shakes the town, everybody is looking for Johnny, who soon becomes the symbol of a revolt.

Émilie lives in a world of surveillance: her camgirl work; the camera phone lingering on a crush from afar; the headset affording her a drone’s perspective. The same drone that stalks each move she makes, offering inspiration, noting rivals. An unsolicited companion is conspiring with or against her. A financially strapped transplant now living in the Paris suburbs, Émilie is thrust into a high-powered world when she is chosen for a renovation workshop with a prestigious architect. Her classmates come mostly from “filthy rich” backgrounds, like cocky Olivier, who wants Émilie as his conquest. But Émilie has shy eyes only for self-sufficient Mina, whose music builds like a “helicoid.” A drone—unlike any known model—is watching her all along waiting for her next move and paying handily for the privilege.

Elise thought she had the perfect life: an ideal boyfriend and a promising career as a ballet dancer. It all falls apart the day she catches him cheating on her with her stage backup; and after she suffers an injury on stage, it seems like she might not be able to dance ever again.

To bring together again, for the first time since their premiere on a December evening in Moscow, Tchaikovsky’s opera Iolanta and ballet The Nutcracker, was the audacious challenge that Russian stage director Dmitri Tcherniakov accepted for the Palais Garnier in Paris in March 2016 : a revolutionary production, which was to become one of the key events of the Paris Opera season.

Matt, a charismatic coach, captivates crowds until he spirals into a disturbing downward spiral.

Back in Tunisia for her uncle's funeral, Lilia reunites with a family that knows nothing about her life in Paris, particularly her romantic life. Determined to uncover the mystery behind her uncle's sudden death, Lilia finds herself confronted with family secrets.

With Trouble, choreographer Laura Bachman, dancer Marion Barbeau, and actor Félix Kysyl explore the boundaries of touch and male-female relationships, between violence and emancipation. Trouble, Laura Bachman's first choreographic film, explores with great intensity all the paradoxes of physical contact. In this hybrid work inspired by the show Ne Me Touchez Pas, the body is not only an instrument of movement, but a battlefield, a space where domination, resistance, and then rebirth are played out. At the heart of this film is a duo formed by Marion Barbeau, prima ballerina at the Paris Opera and actress revealed by Cédric Klapisch's En Corps, and Félix Kysyl, actor nominated for a César Award in 2025 in the category of Best Male Newcomer for Miséricorde. These two protagonists give substance to a literally visceral performance, where skin, gazes, and breath invade everything.

Sergei Prokofiev's setting of the fairy tale "Cinderella" premiered at Moscow's Bolshoi Theater in 1945. In 1986, Rudolf Nureyev, then ballet director of the Paris Opera, choreographed the ballet anew and transposed the story into a private cinema, with sets reminiscent of Fritz Lang's "Metropolis." ARTE shows the Paris Opera performance from December 31, 2018.