Directing
No biography available.
The documentary, black and white, has "space" as theme, both as an abstract category and as a scope and "scene" of human relations.
Experimental short by Mario Schifano.
Trapianto heralds the end of utopia, the death of that underground, but is also the best prologue in Necropolis, which is not by chance found alive. It 's a film that establishes the passage of rolling between two friends, and Brocani Schifano, shared the same passions, and from living the cinema as a challenge urgent and vital, suspended between dream and action.
A (temporary) leave of many friends who are my truest world, with the attempt of getting them together in an ideal summary conceived to support me during my being far away. –A. L.
Artists and poets meet in a dreamlike space between walks and performances.
16mm short by Mario Schifano.
Before the three feature films, Mario Schifano directs the camera towards the people around him to create real film diaries. His friends, his time partner and the artists he frequented are portrayed in their everyday life or object of the mechanical gaze of the camera, a filter through which to look at the outside world.
Unlike Reflex, Schifano's center of interest in this very short film is Gattinoni's models and not the photographer.
A 1964 short film by Mario Schifano.
A 1967 short film by Mario Schifano.
A detective is assigned to investigate the mysterious murders of some Supreme Court judges.