Librado, an unemployed man, lives in a crowded small house with numerous children and relatives, is beaten for stealing a car antenna. His godmother and her children try to settle in his place. She then is arrested at a supermarket for stealing, however, she offers herself and volunteers a friend of hers for sex to the policemen so she can be released. She is a maid of an employee who acts subservient to his boss, a mid-level government employee at once servile who delivers speeches on sexuality in educational texts and then discusses the matter with his brother, a corrupt inspector.

Vicente and Carmen, are spouses, he works in a factory, although he is a womanizer and irresponsible; she sells cosmetics or fayuca. Both dream of owning a home. Vincent did not want to leave their neighborhood but after several discussions they decide to buy a land...

Three interwoven stories where the characters experience deception, passion, love and rejection.

A woman who fancies herself an aristocrat rejects a potential suitor because he's not of her class. Also: their adult children have their own drama, a bit inflected with hippie-ish values.

A gunfighter is appointed sheriff of a town that is terrorized by a gang of criminals.

While waiting for a train which will take them on their honeymoon, two newlyweds, Juan and Lázara, are separated by a federal army commander who is going around enlisting men to fight against the revolutionaries. Traveling with the troops, Lázara follows Juan until he dies in a battle against the Villistas. From that moment on, the young woman's fate will be in the hands of whoever happens to win the latest contest, an uncertain fate for someone whose only wish is for a home of her own.

She rejects him, but he's there for her, even after she gets married and then is abandoned by her babydaddy. Remake of Bajo El Cielo De Mexico (1958) (and also 1937?).

A group of Soccer-loving friends devise a plan to make easy money.

When a worker is found murdered on the construction side, the investigation swiftly turns from things criminal to the political circumstances surrounding the building itself. Widespread corruption and neglect by the builder himself are seen to have brought the situation about. Much of the movie is filmed using hand-held cameras, and the majority of the dialogue is in the difficult-to-understand and very slangy Spanish dialect of Mexico City's bricklayers.

A man is on the run after taking revenge on his brother murder, but someone goes after him too