In her quest to uncover the wrongdoings of the Russian authorities, Anna Politkovskaya inspired awe in some and fear in countless others. At age 48 she was assassinated for simply doing her job. This documentary is based on Anna's conversations with filmmaker Marina Goldovskaya, Anna's former university professor and personal friend. Shot over a period of 20 years, this exclusive footage creates an incredible story of a woman who consciously gave her life for her convictions.

In her quest to uncover the wrongdoings of the Russian authorities, Anna Politkovskaya inspired awe in some and fear in countless others. At age 48 she was assassinated for simply doing her job. This documentary is based on Anna's conversations with filmmaker Marina Goldovskaya, Anna's former university professor and personal friend. Shot over a period of 20 years, this exclusive footage creates an incredible story of a woman who consciously gave her life for her convictions.

In her quest to uncover the wrongdoings of the Russian authorities, Anna Politkovskaya inspired awe in some and fear in countless others. At age 48 she was assassinated for simply doing her job. This documentary is based on Anna's conversations with filmmaker Marina Goldovskaya, Anna's former university professor and personal friend. Shot over a period of 20 years, this exclusive footage creates an incredible story of a woman who consciously gave her life for her convictions.

Over twenty years, the Russian documentary filmmaker Marina Goldovskaya interviewed pioneers of American documentaries, such as Richard Leacock, Robert and Anne Drew, Albert Maysles, D.A. Pennebaker, Jonas Mekas, among others. In long conversations, they discuss the elaboration of titles that are now fundamental to the genre’s world history, commenting on the introduction of new light and portable cameras that allowed the advent of Cinema Verite, in addition to sharing the fundamentals and principles of the art of capturing life. The sum of these parts corresponds to a singular opportunity of re-encounter with the thinking of these masters, even those that have already passed away.

Depicting the collision between past, present, and future in contemporary Russia, the film showcases the filmmaker's understanding, or perhaps her emotions, about Russia's convoluted history.

"Solovky Power" is a documentary about the first Soviet labor camp created by Lenin in 1923. Solovky was established in a complex of ancient monasteries on a cluster of islands off the remote White Sea coast. Though its name derives from the Russian word for nightingale, the title of the film echoes the term 'Soviet power', stressing the fact that from the very beginning the Soviet penal colonies were a world unto themselves.

In her quest to uncover the wrongdoings of the Russian authorities, Anna Politkovskaya inspired awe in some and fear in countless others. At age 48 she was assassinated for simply doing her job. This documentary is based on Anna's conversations with filmmaker Marina Goldovskaya, Anna's former university professor and personal friend. Shot over a period of 20 years, this exclusive footage creates an incredible story of a woman who consciously gave her life for her convictions.

"Solovky Power" is a documentary about the first Soviet labor camp created by Lenin in 1923. Solovky was established in a complex of ancient monasteries on a cluster of islands off the remote White Sea coast. Though its name derives from the Russian word for nightingale, the title of the film echoes the term 'Soviet power', stressing the fact that from the very beginning the Soviet penal colonies were a world unto themselves.

The characters in this film all lived in the same building: the Knights' House, at 35 Arbat Street in Moscow. Built at the beginning of the century for a few privileged families, this sumptuous residence will become after the revolution a collective apartment building. Like millions of Russians, those who lived together in this building were marked by the trials and tragedies of history. Marina Goldovskaya went in search of the former inhabitants, now dispersed. They speak to us with modesty and emotion about their memories, their secret garden and... their neighbors at 35 Arbat Street.

Depicting the collision between past, present, and future in contemporary Russia, the film showcases the filmmaker's understanding, or perhaps her emotions, about Russia's convoluted history.