The life and times of Claudia Bertelli, born in Milan in 1949 from bourgeois parents, educated in England, rebel and single mother, then feminist and married woman and again doctor in the developing countries and mystical nun who dies peacefully in 2011.

Paolo and Carlo are good friends. The first introverted, disillusioned and intellectual, while the other is happy if shallow. Despite their differences they share accommodation. Paolo runs an “alternative” kind of library; Carlo plays the violin in a little band. Their lives go on peacefully, when suddenly Paolo falls in love with one of his a customers - Lili, an amateur actress - whom he decides to take home. Carlo doesn’t react well to the fact he’s got to share with a third person, so he comes up with a weird idea - he flirts with the new girl and manages to seduce her. Paolo thinks his best friend is now guilty of a real betrayal, while Lili is undecided: she’s attracted by both the culture of Paolo and the physical attraction of Carlo. This love triangle ends when Paolo tries to commit suicide, Carlo feels guilty and Lili leaves them both, returning to her previous life and still hoping to find her one true love.

A young Roman receives from his mother, who is dying, a shocking news: he is the natural son of Adolf Hitler, conceived during a fling between the Führer and the lady during the visit that the German dictator made to Italy in 1938.

Guglielmo Speranza is a young man who, having just graduated from university, decides to ask his beloved to marry him, convinced that the most challenging period of his life is now behind him. This is how we meet the protagonist, who repeatedly addresses the audience directly to explain what is happening on stage. He always wears the same suit and, during the play, changes three beards, black, gray, and white (one for each act), symbolizing the transition from youth to old age.

"The phlegmatic inspector Adam Quill must investigate at Vladimir Stroganoff’s dance company after a murder committed under mysterious circumstances.