The Phono-Cinéma-Théâtre was a special pavilion at the 1900 Paris World's Fair which featured filmed performances presented with sound via wax cylinder recordings. Many of these short films were also presented in hand-tinted color. The performances ranged from theatre (Coquelin the eldest, Gabrielle Réjane, Sarah Bernhardt, Félicia Mallet), opera & operetta (Mariette Sully, Emile Cossira, Jeanne Hatto, Mily-Meyer, Désiré Pougaud), to café concert & music hall variety (Footit et Chocolat, Mason and Forbes, Little Tich, Brunin, Polin, Jules Moy) and dance (Blanche and Louise Mante from the Paris Opera, Carlotta Zambelli, Michel Vasquez, Rosita Mauri, Jeanne Chasles, Achille Viscusi, Christine Kerf, Cléo de Mérode).

A French-language remake of Douglas Sirk's "The Court Concert" (1936).

This short film, along with other experimental sound films, is thought to have been recorded for the Paris 'Exposition Universelle' of 1900.

The illegitimate son of a music-hall star and an ambitious politician has grown up to become a journalist. He decides to get back at his father by using blackmail.