In 1999, Paul and his partner Julie experienced beautiful moments with their young daughter. They are looking for a house in Montreal and frequently see their family, notably Julie's parents who live in St-Nicolas, a suburb of Quebec City. But the illness has hit Roland hard, the proud and generous patriarch of the family, who tries as best he can to hide the ultimatum he is suffering from his children. Life being what it is, Roland will have to be admitted to a palliative care center while his loved ones, including Paul, will have to come to terms with the idea of ​​his death. In the process, Paul will take up drawing.

A man disappears. As nature always wants to fill the void, Frédéric Venne, Myriam Lambert and Robert Laplante will transform their lives to fill this emptiness. What is the motive of all this? Is it to fill their own existence? To what extent are we willing to transform our own existence to comply with other people's expectations? It is a thriller of the mind that questions us on how we follow our own path in life.

Audrey, a woman in her mid-fifties, has never been able to make peace with her tumultuous family history. A clumsy mother, an emotionally distant father and sexual assaults that have gone unreported. She now decides to confront her demons. Supported by her son, the director of the documentary, she revisits a striking scene from her past: the moment when she told her parents that her grandfather had raped her. Together, through a year-long production process, they transform this awkward exchange into a moment of communion, thanks to actors, a set and Audrey's desire to do herself justice.