After extracting the best that was in him in the course of twenty years' service, with them, the Peoples' Insurance Company discharges Joe Jackson, a faithful bookkeeper. So at middle life, Joe finds the sum-total of a "city career" a nervous wife, a drooping infant and a grown-up son and daughter, whom the city has converted into shallow, idle, selfish creatures. His own gains are a bank account that wouldn't stand the strain of city rent-paying and city living, while he was hunting for a job, so Joe concluded to get "back to nature." He bought a farm with his savings and transported himself there with his family, much against the wishes of two members thereof, the indolent son and daughter, of course.

Based on the play by Henrik Ibsen.

When the two little daughters of a young widower are told that he is preparing to bring up to the house to see them, a young lady who is to be their new mamma, they are at once plunged into the depths of despair. They feel that their home will be no longer bearable if they are to have a stepmother, so they run away to go out in the world to earn their own living.

A young missionary, filled with religious fervor, joyfully accepts the post to carry the gospel to a section of Japan, where white men are not known. His wife and little daughter go with him, and he starts for his station with native guides and bearers.

Grease paint, the spotlight and applause lose their fascination for the Five Rose Sisters, a dancing team full of vivacity, ability and pluck.

A wealthy miner, having no near relatives, leaves his two little daughters to the guardianship of a former chum of his, who had left the west with a fortune and returned to his old home in an eastern city. The guardian is rather overwhelmed by his responsibilities, but induces his old aunt to come and keep house for him, and prepares to give his charges a hearty welcome. The guardian is a young man, and is surprised to find that one of his wards is of marriageable age, beautiful and vivacious. He promptly proceeds to lose his heart to her, and while she admires him immensely the girl is finally thoroughly impressed with the idea that her guardian would gladly be rid of her. T

The myth, which is beautifully told on the screen, shows the stages of the struggle between the little love God and his inveterate enemy, Satan.

A lawyer is given the execution of a will, which bequeaths to the child of a disinherited son a large fortune. The disinherited son is now dead. The father, on his deathbed is penitent. By way of making amends he leaves to his son's offspring, his entire fortune. He is ignorant of his grandchild's fate, but provides that a thorough search should be made.

She was the first attempt in film to depict the story of H. Rider Haggard's 1886 novel She: A History of Adventure.

His home was a dreary room in a basement; he was hopelessly crippled; his widowed mother was just able to keep their home together by steady work as a washerwoman; and he had no toys or other boys to play with. Despite his sickness and poverty the little shut-in was a cheery chap, and invented games of his own.