Ríša, a student of law, neglects his studies in favour of parties and pranks. His angry father refuses to continue helping him out of his debts. Ríša, however, is not entirely beyond hope. He decides to go and stay for a while with his uncle, a priest, who lives in Moravia, in order to prepare for his exams. He meets Helenka, the timid daughter of the local gamekeeper, at a village ball and is enchanted by her. The days pass and their idyllic relationship begins to tire Ríša. He begins to tell Helenka about his former debauched life the about the broken hearts of beautiful women. Helenka is hurt and refuses to see Ríša anymore. His uncle, the priest, is incensed at his behaviour and orders his nephew out of the house. Ríša tries desperately to find Helenka so he can make it up to her.

A very hardworking but also very naive insurance company clerk, Valentin Plavec, becomes the target of endless pranks, jokes and recessions from his colleagues Bejšovec and Voborník. However, their last successful trick somewhat gets out of hand. They add a one to the winning number 8456 and convince Valentin that he has won a million in the lottery. However, since Valentin cannot collect his winnings immediately, he withdraws twenty thousand, which is all the savings he has saved together with his fiancée Helena, and starts shopping for a deposit. However, the truth soon comes out and when his colleagues reveal to him that it was just a joke, they all leave him, only the faithful Helena stays and even helps the unfortunate fiancé cancel all the deposits and agreed deals. When the newspaper reports that there has been a mistake and the winning ticket is number 18456, Valentin decides to take revenge on the two pranksters...

Hospital orderly Rozruch, denied his therapeutic treatment, is mistaken for Dr. Marek at the insurance office and sent to a spa. Councilor Pěna, plotting to wed his mistress after his daughter Heda’s marriage, also arrives. At the spa, impostures collide, identities are exposed, and hidden motives and loyalties come to light.

Marta Dekasová works as a governess in a garrison town. The beautiful girl is the center of attention of many men, but she only desires Lieutenant Varga, who is married and rejects her. Desperate, Marta throws herself into the arms of the most intrusive of her suitors, and is then dismissed in disgrace. She goes to Prague to live with her friend Kiki, becomes a bar singer, and continues her journey down the sloping surface. Hope for a new life dawns on her when a young student falls in love with her, but just then Varga appears in the bar and rekindles her unquenched feelings...

A highly romanticized autobiographical novel by a Czech 19th century writer, Bozena Nemcova. It's a classical, compulsory reading in Czech schools, about a wise, working-class woman, happier in her simplicity and good heart than the nobles whom she serves.

Mr. Ducháček runs the law firm of JUDr. Faukner in a peculiar but completely devoted manner, which manages the financial affairs of the Rispaldic family. The family members treat their lawyer Faukner with condescension, except for their daughter Julia, who secretly loves him. However, no one except Ducháček knows that the squandering family no longer has any money and that JUDr. Faukner is subsidizing it, because he is also secretly in love with Julia.

The film is about a slightly crazy botany professor Ducánek, who is so busy with his scientific experiments that he has completely forgotten that he is married. Neither his housekeeper Veronika nor his friend Potužník knew about the existence of his capricious wife, the operetta diva Lucy. However, when his wife returns home after seven years in remorse, Ducánek takes a complicated action to elegantly get rid of his wife...

Mist on the Moors examines fates of just about a few people. Their stories are outlined in a short space of time and are a symbolic representation of the drama of life, struggle for justice, human cognizance and the healing power of love. One of the most important components of the film is the nature, which ceases to be a mere stage for its plot—it serves almost as an autonomous plot agent. The movie landscape is a precisely defined and localized one. Only the South Bohemian ponds can serve as the right environment for development of such earthy and typically human stories as we encounter in the Mist on the Moors.

Country man Josef Bezoušek has gone to Prague for an extended visit to his lawyer son's family. His son, daughter-in-law and granddaughters have welcomed him with open arms, so the grandfather quickly gets used to them and really likes the metropolis. He enjoys walks and city attractions, and in the process he inadvertently gets involved in the story of his son's sister-in-law's forbidden love. She has lost her mind for a poor young man, her father does not want her to know him and imprisons the girl at home. The scoundrel Bezoušek inadvertently finds himself right in the center of the affair - and trouble is already coming his way. He himself could have endured it, but before leaving Prague he wants to settle the whole matter to the benefit of the unfortunate lovers...

Tragicomic events in the idyllic town of Rukapán reveal both the prejudices of the local residents and their solidarity. The chronicle of the town of Rukapán captures the funny and tragic fates of its inhabitants at the end of the nineteenth century. Poacher Matěj saves the council of Zimmerheier in a buried mine, mayor Buzek is warned by an angel to stop drinking, and other events form a mosaic of the small town.