The Farels are a power couple: Jean is a prominent French pundit and his wife Claire an essayist known for her radical feminism. Together they have a model son, Alexandre, who is a student at a prestigious American university. During a brief visit to Paris, Alexandre meets Mila, the daughter of his mother’s new partner, and invites her to a party. The next day, Mila files a complaint against Alexandre for rape, destroying family harmony and setting in motion an inextricable media-judicial machine that posits opposing truths.

Louis was adopted when he was just a baby. Now sixteen-year-old Louis wants to know where he comes from. He therefore heads south to find the mother he's never known. Totally thrown by this unexpected visit, Solange rejects the child she never desired. Louis will nevertheless do everything he can to make her accept him.

At 33 years old, and after numerous failed attempt to make it as a musician, Chris still lives with his mother. One day he crosses paths with a young missionary in need of a guitarist for his new religious band, he recruits Chris and disguises him as Father Christophe.

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.

In the sterile setting of a powerful multinational, a ruthless corporate executive and her ambitious protégée bare their claws in a vicious battle for supremacy.

Martin, an ex-Parisian well-heeled hipster passionate about Gustave Flaubert who settled into a Norman village as a baker, sees an English couple moving into a small farm nearby. Not only are the names of the new arrivals Gemma and Charles Bovery, but their behavior also seems to be inspired by Flaubert's heroes.

In September 1986, two children were brutally killed in the suburbs of Metz. This is the beginning of "The Patrick Dils Affair", one of the most emblematic judicial errors in the annals of French justice.

An anonymous hacker has hacked all of Paris' cameras and observes the city unbeknownst to its inhabitants. Petty crimes and moments of stolen intimacy, he sees everything. Until the day that an explosion lays waste to the Gare d'Austerlitz. The police starts tracking down an Al Queda satellite group. The hacker succeeds in finding images of the explosion and discovers that it was a young couple who planted the bomb. Using the city's cameras, he decides to hunt down the criminals.