Failed London banker Max Skinner inherits his uncle's vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.

A tale of friendship between two men, one Jewish and the other Arab, as the state of Israel is being created.

In London's contemporary art world, everyone has a hustle. Art Spindle runs a high-end gallery: he hopes to flip a Mondrian for millions. One of his assistants, Beth, is sleeping with Art's most acquisitive client, Bob Macclestone. Beth wants Bob to set her up in her own gallery, so she helps him go behind Art's back for the Mondrian. Bob's wife, Jean, sets her eye on a young conceptual artist, Jo, who lusts after Art's newest assistant, Paige. Meanwhile, self-absorbed videographer Elaine is chewing her way through friends and lovers looking to make it: if she'll throw Dewey, her agent, under the bus, Beth may give her a show. And the Mondrian? No honor among thieves.

Penny and Ali promised to be together forever, despite opposition from their families, society and the law. They defined their own rules of a committed relationship. Seventeen years later Australia is preparing to vote on same-sex marriage, but their relationship is shifting. Penny wants to revive their love but when Ali suffers a stroke and her hidden affair is revealed, Penny is forced to discover what true love means to her.

Demon and Davi are two eighteen-year-old prostitutes. Introduced to the sex trade by the cruel and cynical Ryu, they live mostly at night in a Paris dominated by perverse clients to please and by luminal, a synthetic drug that shapes their lives. When their friend is brutally murdered and they discover that Ryu is indirectly responsible for her death, the two girls decide to flee to London and try to change their lives before it's too late. Ryu, however, isn't willing to let them go so easily and sets out to avenge the shame she suffered.

HERE LIES is a film about filmmaking and the struggles involved in the creative process: artistic, technical, financial and personal.

A hospitalized amnesiac boy, victim of an abduction gone wrong, brings police detective Mark Bryce (Friels) and nurse Rose (Picot) together. Both have 'baggage' -- she a recently widowed and somewhat demented father, George (Myles), living at home; Mark a divorce with only part-time access to his two children, plus a demanding and increasingly frustrating job. Over the next 24 hours the lives of this pair intersect as they each try to coax some memories from the boy (named 'Max' by Mark), while George struggles with his failing mental capacity and visions of his late wife and her dead first husband.

Set at the dining table of a full Lebanese Sunday lunch, this comedy is a snapshot of the life of a Lebanese-Australian woman in her 30s and her wacky family dynamics.

The film is the result of a planned trilogy about the kidnapping and murder of Aldo Moro by the Red Brigades first announced by director Grimaldi in 2003: shot in the UK on a low budget, the project was never completed because of lack of funding and other issues, and the existing footage from the first two planned installments was condensed into a single movie and released on DVD in 2009.