
Acting
Maria Kraakman (born, August 5, 1975) is a Dutch actress who graduated from the Arnhem Theater School in 1998 and now works as a permanent actress at Toneelgroep Oostpool. In 2005 she won a Golden Calf for her tranquil role in Nanouk Leopold's film Guernsey. Previously she appeared in Leopold's Îles flottantes (2001) and in a few short television films and plays, such as Eline Vere, where she was nominated for best female stage actress. In 2008 and 2009 Kraakman appeared in the solo performance Anonymous by Nataliya Golofastova, for which she won the Gouden Kniertje in September 2009. In 2010 she won the Theo d'Or for her performance in Orlando. She is the girlfriend of actor Dragan Bakema, with whom she played the lead role together in the play Tramlijn Begeerte at the end of 2012.
Alienated from his long-distance girlfriend, a man develops a dark fascination for the woman next door, whom he spies on from his home.

Guernsey is the story of a woman who suddenly looks at her own life and wonders how she became miles apart from the people she is closest to.

Nine-year-old Karo grows up with her parents in an Amsterdam commune in the Seventies. She leads a carefree existence in this utopia-for-adults. Everything is shared in the squat, but not everyone is able to honor these ideals. Karo gets confused because of the internal conflicts that start to divide the group. Karo slowly realizes that nothing can stay the same forever.

At their annual summer building club ‘Camp Scrapwood’, best friends Ziggy (12) and Bas (12) find themselves on opposing sides for the first time in their lives. At summer club, best friends Ziggy and Bas (12) are on opposing sides for the first time in their lives. Different secondary schools, different parental expectations and now falling in love with the same girl lead to all-out war between them. They begin to fight. Initially, tougher Bas fights hard, but soon has doubts about the row. Meanwhile, the gentle Ziggy gradually toughens up and becomes determined to win… A family film about friendship, love, jealousy… and being a boy.


How do Dutch actors in the post-#MeToo era look back at intimate scenes and what do they think about the arrival of the intimacy coordinator? From her experience as an actress and filmmaker, Tamar van den Dop talks to several past and present icons.

Johanna wants to change her life and quit the criminal gangs of the town of Oss in the 1930s. The harder she tries, the more she is involved.
Hannah, the headstrong rebel of seven siblings, tries to avoid the preparations for her parent's wedding anniversary, but her charming brand-new lover Victor sort of drags her along, and soon proves an ideal son-in-law, which arouses mixed feelings in her. The sister in law who for years tries to fit in but always felt ignored gets a fit because Victor is immediately invited to chip in and join the anniversary river cruise, so they take over the organization from her. Yet when he confides in her the bunch is miserable at communicating, she claims he can't judge after just one evening and seems suddenly uncertain whether to stay with Victor who proves quite patient and understanding...
In a flashback, the film follows the life of Martin Hogeveen. He leads a life that leaves nothing to be desired: a luxurious apartment, a beautiful young girlfriend and a successful job as an independent municipal policy advisor, whose secondary task it is to combat fraud. His investigations are amply rewarded when he brings to light an extensive building industry fraud. As a result of his report, the director of the local authority is fired and Hogeveen takes over his post. In the meantime, Martin is stalked in his private life by an impetuous student who even harasses his girlfriend. Martin gets entangled in a situation involving murder and blackmail, and eventually makes an unexpected discovery. Zinloos is based on René Appel's novel Zinloos geweld.

On his birthday, a hitman reluctantly takes on the easy task of killing a writer, only to find the job a lot more difficult than expected.

Psychological drama about a seemingly happy couple who model themselves on everything television and lifestyle magazines prescribe for them. They appear content with their lives, until the cosmetics they have used to coat their illusory existence begin to crack. And then everything that seems self-evident begins to shift.

Olivier calls himself a 'statistical miracle'. He is almost 27 years old but the doctors had predicted that, because of the heart disease he was born with, he would not get much older than 25 years. He doesn't seem to be suffering from the threat of death closing in on him. With unbridled energy, he parties, smokes, drinks and dances until deep into the night, and in the morning wakes up in bed next to girls he doesn't even know. His family and friends alienate from him because of this life style, and the fact that he doesn't have long lasting relationships, doesn't bother him. Olivier lives, day by day. Until new medical technologies make it possible to cure him, and a new future opens up to him. Everybody is happy, but Olivier doesn't know how to deal with the expectations and responsibilities of his new life.
