One year after the death of her mother, Elena, a young French woman of Greek origin, returns to her holiday home on the island of Lesbos. She is accompanied by her friends Nassim and Sekou, two young suburbanites more used to the benches of the city than the paradisiac beaches.

In a country shaken by major political events, three generations of a Greek family clash over an inside-the-family adoption.

After his father death, Nikos moves from Ptolemaida to Athens. His uncle offers him food and shelter while he starts taking care of his dogs. Alone in an isolated suburb, he's wearing down into his misery routine, till the moment his relationship with his aunt changes everything.

For many years, Nadja has worked as a housekeeper for an upper class Greek couple and their daughter. She’s allowed to feel like part of the family. When she’s diagnosed with a serious illness, and the man of the house runs into financial difficulties due to the economic crisis, Nadja loses her job. Yet she shows no external sign of how these two traumatic events have affected her.

A method actor commits a heist that goes wrong. He befriends the critically injured victim and tries to reconcile his guilt before his one shot audition in New York.

Olga, a domestic worker originally from Albania, finds herself in a house she works in downtown Athens, at the right time. Or at the wrong one?

On a day when downtown Athens is experiencing yet another ordinary upheaval, young lawyer Antonis Spetsiotis is celebrating his birthday. However, his birthday will unfold in a completely unexpected way, taking him from the courts of Evelpidon to glamorous cafés and dark parking lots on the National Road, from his tidy bachelor pad in Lycabettus to farmhouses in Chalkoutsi and luxurious villas in Aliartos – and will end unpredictably at dawn in Athens.

The Bastards have left the city behind. Their house in the countryside smells of nothing but summer. Five girls and five boys living in the moment, for the moment. No outsider comes around here, and all the insiders take turns standing guard, kissing each other, playing dead. They are still kids. They are your kids. They are our Bastards.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

It is a movie following the coming-of-age for a boy; the story begins in the mid-60s, continues all through the 70s, and finishes in 1981. He is a creative young man facing the troubles of the first pangs of love and we observe the way he tries to handle them within his social surroundings, his family, and environment.