
Acting
Maria Agasovna Guleghina (née Meytardjan (Russian: Мейтарджян); born 9 August 1959) is a Soviet-born operatic soprano singer, particularly associated with the Italian repertory. Maria Guleghina was born in Odesa, Ukrainian SSR, to an Armenian father and a Ukrainian mother, where she studied voice at the Music Conservatory with Evgeny Nikolaevich Ivanov (under whose tutorship she remained even after graduation). Guleghina is a citizen of Luxembourg where she resides with her family. Guleghina made her stage debut in 1985 as Yolantha at the State Opera in Minsk (Belarus) shortly before leaving USSR to pursue an international career. Her international debut came in 1987 as Amelia (opposite Luciano Pavarotti's Riccardo) in a production of Un ballo in maschera at La Scala. Leading roles in I due Foscari, Manon Lescaut, and Tosca followed, and soon she was engaged to perform in Vienna, Munich, Hamburg, London, and other major European opera houses. She made her debut at the Paris Opera in 1995, in the killer-role of Abigaille in Nabucco. Her American debut took place at the Metropolitan Opera in January 1991, where she sang Maddalena in Andrea Chénier. She has also appeared at the San Francisco Opera and the Lyric Opera of Chicago, adding the lead soprano roles in works such as Ernani, Simon Boccanegra, Cavalleria rusticana, Fedora. She later added other demanding roles such as Odabella in Attila (opera) and Lady Macbeth in Macbeth (opera), to her ever-growing repertoire. She also debuted at Mariinsky Theatre in St. Petersburg, Russia in 1992 as Lisa in Tchaikovsky's The Queen of Spades. Guleghina has also performed in Japan many times (twice as a part of La Scala's tours of Japan) and has a fan base there. She is considered by most as one of the leading dramatic sopranos of her generation. She is largely admired for her warm and rich voice, strong stage presence, and absolute dramatic commitment to her roles on the stage. She sang the opening aria (Aida) at the official opening of the new Oslo Opera House. Throughout November 2009, she starred as Turandot in the opera Turandot at the Met in New York. She represented Russia by singing during the closing ceremony of the 2010 Winter Olympics in Vancouver during the handover of the Olympic flag. Guleghina also participated of the Opening Ceremonies of the 2014 Winter Paralympics, singing "Cossack Lullaby" on top of an icebreaker that carried her though the stadium. After a 10 year absence Gulegina returned to the Royal Opera House (Covent Garden) to perform Tosca (February, 2016). She also returned to Moscow’s Bolshoi Theatre as Eboli in Verdi’s epic Don Carlos. In 2017, she appeared as Puccini's Turandot at the Metropolitan Opera and same year appeared in Verdi's Nabucco in a role of Abigaille. In 2018, she made her Wagner debut as Kundry in Parsifal at the Mariinsky Theatre under Valery Gergiev. In 2019 she repeated the role in Sofia National Opera under Constantin Trinks' direction. Guleghina performed in over 160 performances at the Metropolitan Opera in New York and has performed leading roles in 15 different opera productions at Teatro alla Scala where she also had two solo recitals. Guleghina has received numerous prizes and awards. ... Source: Article "Maria Guleghina" from Wikipedia in English, licensed under CC-BY-SA 3.0.


Franco Zeffirelli's magnificient staging of Puccini's final opera - a fairy tale set in a mythical China - is one of the most popular in the Met repertory. In this Live in HD production, Maria Guleghina takes on the title role and Marcello Giordani is Calaf, the unknown prince. Marina Poplavskaya and Samuel Ramey co-star, and Andris Nelsons conducts in his Met debut.

The Queen of Spades, Op. 68 (Russian: Пиковая дама, Pikovaya dama, French: Pique Dame) is an opera in 3 acts (7 scenes) by Pyotr Ilyich Tchaikovsky to a Russian libretto by the composer's brother Modest Tchaikovsky, based on a short story of the same name by Alexander Pushkin, but the plot was very changed. The premiere took place in 1890 in St. Petersburg (at the Mariinsky Theatre), Russia.

Tosca is an opera in three acts by Giacomo Puccini to an Italian libretto by Luigi Illica and Giuseppe Giacosa. It premiered at the Teatro Costanzi in Rome on 14 January 1900. This version is conducted by Riccardo Muti at La Scala, Milan.

Verdi’s admiration for Shakespeare led to such masterpieces as Othello and Falstaff, and if the earlier Macbeth isn’t on their exalted level it’s still a powerfully dramatic opera that hews closely to the original’s story line. The MET’s production retains the dark aura of the opera while updating it to a vaguely post-modern context. So the witches are bag ladies in various stages of decrepitude, with children in tow. The Banquet Scene features lowered chandeliers, a plethora of chairs, and a slew of extras dressed in tuxedos and party gowns. Macbeth sports a leather coat, the soldiers are in drab brown uniforms and seem to have fingers on their triggers even when they’re supposed to be in non-threatening situations. Director Adrian Noble also has Lady Macbeth do an inordinate amount of writhing around and singing from a lying-down position, adding to the feeling that a less interventionist directorial hand might have generated more impact.

Nabucco - live from Metropolitan Opera, June 2002. On its surface, Nabucco is about the epic struggle of Zaccaria and the Jews suppressed by Babylon’s King Nebuchadnezzar and his vengeful daughter, Abigaille. But to Italians fighting for their freedom from Austria, Verdi’s first great opera was an inspiring call to arms.

Internationally acclaimed Chinese film-maker Chen Kaige delivers an opulent staging of the fairy-tale story of Chinese Princess Turandot, who will only marry a prince capable of solving her riddles. With sumptuous costumes and palace sets designed in China, Kaige's production adds a compellingly authentic accent to Puccini's exotic orchestral palette. Zubin Metha and his brilliant Orquestra de la Comunitet Valenciana offer "genuine foreworks of sound" (Wiener Zeitung), Maria Guleghina triumphs as Turandot. Recorded in 2008 at the Palau de les Arts in Valencia. Zubin Mehta (conductor).
Live from La Scala December 7th 1997
Nabucco - live performance by Helikon Opera Theatre of Moscow at the Opéra de Massy, Paris.
Wiener Staatsoper Live at Home - 14 May 2015
