The story of the CEO of a recently privatized company.

A fiction within fiction, in which a television crew shoots a film about the poet and philosopher Anthero de Quental, from São Miguel, in a vision of his life and work staged and told through the fictionalized testimonies of those who knew him. The poet's life and death will be staged through the eyes of a group of traveling performers and the testimonies of some of the personalities who knew him best: Ramalho Ortigão, Eça de Queiroz, Oliveira Martins, Teófilo Braga, and his sister Ana Quental, whose sometimes contradictory points of view will attempt to unravel some of the enigmas that haunted Athero's tormented existence and the complete reasons that led him to the bench where, under the anchor of Hope, the poet described his life and committed suicide.

The story of a man who sees his life change radically upon confronting his progressive loss of memory. As his neurological condition advances, it affects not only his own life but the lives of all those who surround him.

This exaggerated mockery of crime cinema tells the story of a gang lead by "Renato, o pacíficio" (Renato, the peaceful) and their attempt to steal precious jewels from the Gulbenkian Museum in Lisbon. The weapon of choice? Bees!

Impossible Invasion is the fifth film in the Lisboa Sociedade Anónima series. Set in the 1960s, it is a touching descent into the emotional misery of the petty bourgeoisie living in rented rooms, suffocating on precarious civil service salaries, with a cultural horizon of soccer and television, and against the backdrop of the colonial war and the glory of the bridge over the Tagus. Noteworthy are the fine performances of the actors (especially Maria do Céu Guerra), the creation of an oppressive and mediocre atmosphere, well underscored by songs from the period, and the concise and rigorous characterization.

Dona Elvira promises to get a job from José through the typical Portuguese wedge. In parallel, they are bizarre aspects and eccentric figures of the city life, including the tragedy of the actress Maria Alves.

A young man returns to his native Alentejo countryside and encounters the legendary seductive “enchanted moura,” sparking a poetic journey that intertwines ancient Arabic folktales with contemporary rural life. Drawing on medieval prose and verse, the film explores cultural memory and pagan traditions through visual folklore rooted in Portuguese-Arab heritage.

The Soares are a bourgeois couple, living in a good neighbourhood of Lisbon, but João, their son, is not integrating well in that pattern. He attends more political meetings than classes at the Faculty of Economy, and gets a job but that's short lived because his female boss makes him her lover. He longs for the coffee shops, and the companions of old, but he doesn't get true love from anyone.

In the 1950s, a handful of prisoners attempt a daring escape from Peniche, a castle on the north coast of Portugal for the political dissidents of the regime.