The 1960s and 70s brought a new wave of talented young poets and writers, painters and theater innovators to the gray and established culture of Soviet Estonia. Evald Hermaküla began his theatrical career as a young, angry genius working at the Vanemuine Theater, where he staged several legendary productions. The direction of Hermaküla was clear - away from the text and the rationality towards the subconscious. The film mixes theatrical and personal memories of the author with documentary archival material and Hermaküla's contemporary thoughts on theater, life and death.

Rainy summer evening... Young people are arriving at the new trendy club named Phobos which is still under construction. Or re-construction - since it's a former bomb shelter which is reconstructed to become a club. At first, the party sees nothing wrong, but soon the bunker doors turn out to be locked, and the teenagers get trapped underground without light and communication. At first, all of them are joking and do not realize how dangerous their situation is. Then they get frightened. All of them will need to cope with their fears before the bunker will let them free.

Aarno Lamminparras hijacked an airplane with a gun in 1978. A true story.

Aliide experienced The Great Terror under Stalin’s regime, and decades after her hometown people were deported to Siberia, she lives alone in an isolated house. One night, she finds a young woman in her yard – Zara has just escaped from the claws of the Russian mafia that held her as a sex slave. Survivors both, Aliide and Zara engage in unearthing each other’s motives and gradually their stories merge into one, revealing the tragedy of a family during the cruelest years in Estonian history.

The events of the war in 1944, from the Blue Hills to Sõrve Peninsula. Shown through the eyes of Estonian soldiers who had to pick sides and fight against fellow brothers. Choices have to be made, not only by the soldiers, but also by their loved ones.

Aliide experienced The Great Terror under Stalin’s regime, and decades after her hometown people were deported to Siberia, she lives alone in an isolated house. One night, she finds a young woman in her yard – Zara has just escaped from the claws of the Russian mafia that held her as a sex slave. Survivors both, Aliide and Zara engage in unearthing each other’s motives and gradually their stories merge into one, revealing the tragedy of a family during the cruelest years in Estonian history.

The mystical and thrilling drama asks what sort of reality can give our life meaning. The film tells the story of Pia (38), an ophthalmologist, whose marriage has recently ended because she was not able to have children. As she strives to move forward with her life, Pia learns the unknown but also finds her inner strength. Unexpectedly, her deepest wish to become a mother materializes, but not quite in the way she imagined it.

Karina and Martin are in a pleasent relation where everyday life flows in an effortlessly accustomed way and no small misbehaviours can shake it’s rush. Life is good. Perhaps it’s this perfection and frequent patterns that make them finally pose a question – is everything to be expected in life? This is a story about following the yearning of your soul. Longing for something other than the present and having the courage to be deliberately lost.

The Soviet Union teeters on the verge of collapse in 1990 and tiny Baltic nations struggle to take back their independence. A rising tide of public opinion opposes the Estonian national team's participation in the USSR's basketball championship. The team makes the unpopular choice to participate.

One of the most extraordinary personas in Estonian cultural history is undoubtedly the writer, director, publicist, lecturer and a public figure Mati Unt. The Documentary Unt’s Hour takes us back to the bright generation of the ‘60s with their innovative and creative ideas in the literary world and the theatre. The film depicts Mati Unt as a charismatic persona, a phenomenal thinker and an anarchist who used cinematic tools to reinvent old forms. The film includes never before seen footage of Mati during his creative process and among his friends. The story centers on different groups of friends that formed over the years which provide the basis for the selection of characters. The Salon of Mati’s best friend Vaino Vahing in Tartu which brought together writers, scientists, and theatre pioneers; and the literary salon at Vilde tee in Tallinn in the home of Mati Unt and Kersti Kreismann at the beginning of Mati’s career as a director in the Youth Theatre in Tallinn.