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Oldrich "Fajolo" Fajták (Marián Bielik), a student who directs quasi-existentialist verbal abuse at his girlfriend Bela Blazejová (Jana Beláková), takes off to a formally volunteer summer work camp at a farm where he meets her grandfather.
Slovak partisans, bravely fighting against Nazi superiority, would never have succeeded to such an extent if they had not been supported by the villagers. Despite the threat of repression, it is the villagers who care for the wounded, hide them, and behave conscientiously. Although the film was made in the late 1960s, it fully adopts the patterns of partisan stories, perhaps the only thing it can be credited with is a more developed sense of authenticity in the story, characters, and setting.
A story of a man threatened by a fatal illness evaluating his life (the number 322 in the film title stands for the diagnosis of one kind of cancer). He understands his illness as a form of punishment for his cruel deeds in the 1950s. In the face of reality and his efforts to cleanse himself he hits a barrier of indifference, lack of interest, and individual and collective selfishness. He has to find his own reconciliation with his illness and his past and present life.
A teenage boy has problems not only with his own parents, who have no interest in marital fidelity, but also with his still unsettled love affair with both the petite girl next door and the provocative model. He gradually discovers that the adult world is ruled by pretense, and he loses control of his violently disapproving reactions.
A film about a little boy's desire to befriend an old abandoned dog.
A balladic story situated in a Slovak mountain region before the 2nd World War. A young man returns to his native village after many years. There he meets Zuna, a mysterious girl of the forest, who opens his eyes to the charming nature to perceive hidden corners of the world and of his own soul.
1943. Captain Ian Nalepke, Chief of Staff of the Slovak regiment, bearing protection of military facilities in the small town of Belarus contacts the partisansand passes to them the obtained information about upcoming operations of the German forces.
A drama from the period of village collectivisation in 1947-1948, it depicts the life of former beggars who, after the war and land reform, acquire land and dream of becoming wealthy landlords. New social conditions, the onset of collectivisation, but also the great drought bring with them unwelcome changes.