Gilbert Quercy, 18, tried to commit suicide after a heartache. At the hospital, three women try to cheer him up : the three former wives of his father, an archaeologist and an egyptologist, whom Gilbert called his "mothers". These women show a lot of willingness, but soon will become intrusive.

Muichkine, a young Russian prince, returns home to St. Petersburg from a mental institution, determined to spread decency and kindness in the harsh and cruel world. He becomes betrothed to an innocent young girl while trying to save a less-innocent woman from her own travail, but jealousy and his own naivete conjoin to bring about unimaginable tragedy.

Le Cordon Bleu doesn't refer to a ham-and-veal delicacy, though there is plenty of ham in this Gallic comedy. The scene is a posh Parisian hotel-restaurant, which ends up a hotbed of infidelity and mistaken identity. Hotel cook Regina is romantically involved with her boss Octave, the husband of Irma. Mistaken for another woman, Irma is passionately pursued by Bernereau, whose wife gets involved with someone else's husband, whose wife gets involved with.

A man is a hunter at Maxim's restaurant. He lives in the provinces and his family is unaware of his profession. As soon as he has enough money, he quits his job and goes home for his daughter's wedding to a marquis. This one is a regular at the restaurant and the man tries to prevent the wedding before the truth is discovered.

In the 30s, a small village in the Provence is losing its inhabitants because young people prefer to go to the city to find easy jobs and escape from being farmers living in relative poverty. Only a few old people and the poacher Panturle remain. Panturle dreams of bringing the village back to life, finding a wife, founding a family and work as a farmer. One day, the village is visited by a traveling knife-grinder, Urbain Gedemus and a young woman, Arsule. Gedemus treats Arsule like a slave, but Arsule accept this because she has nowhere to go and -we guess- her 'work' with Gedemus is the last thing that saves her from being a prostitute. When she meets Panturle and knows about his dreams, she escapes from Gedemus and decides to stay with him. Together, they start a new life, made of hard farming work but mostly of happiness to have each other, fulfilling the earlier dreams of Panturle. Can anything break the happiness of their new life?

Sophie de Réan, an unruly mischievous little girl grows up under the thumb of Mademoiselle, her strict governess. Following her mother's death, she is entrusted to Mme de Fleurville, her aunt, who at the same time hires Mademoiselle to further Sophie's education. A few years later, the little girl has blossomed into a lovely young lady. She is now in love with Paul, her cousin, who, unlike her, used to be a model child. Unfortunately Mademoiselle will not hear of a union between them. Instead she wants Sophie to marry Armand, the conceited son of Prefect Hugon. To make matters worse, Paul, the good boy, unexpectedly turns into a revolutionary, who defends the Republic on the barricades against Louis Napoléon's coup. Not being one of the victors, Paul is forced into exile. Will Sophie finally yield and accept the established order or will she react in her usual rebellious way and follow the one she loves ?

Life story of a charming scoundrel, with little dialogue other than the star/director's witty narration. As a boy, only he survives a family tragedy when he's deprived of supper (poisonous mushrooms!) for stealing...concluding that dishonesty pays. Through years of dabbling in crime and amusing adventures, two women appear and reappear in his life, a dazzling blonde jewel thief and a stunning brunette gambler. Finally, he meets the mysterious Charbonnier who had saved his life in World War I, leading to the surprising next phase in his career...

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Mrs Cambronne, of British origin, to whom the famous ‘remark’ made by her husband, General Pierre Cambronne, has been much recounted, presses her husband with questions in an attempt to discover its meaning. But the general refuses to offer any explanation and remains silent. An adaptation of Sacha Guitry’s play of the same name, also written in 1936. Released in cinemas on 26 March 1937 at the Cinéma Normandie in Paris’s 8th arrondissement. The film was shot in a single afternoon on November 19, 1936, featuring the four actors who had originally performed the play on stage. The props came from the theater and were returned there that same evening. As Guitry explains at the beginning of his film, this production is dedicated to the memory of Edmond Rostand, who suggested the subject of the play—on which the film is based—to the author of “Mot de Cambronne.”

Miche, a young girl from the town of Senlis, goes to Paris to pose for a painter, Jacques de Peyrière. During her sitting, Jacques tries to kiss her, and Miche, insulted and afraid, flees the studio. Later in St. Moritz, Miche sees Jacques among the other skiers. She decides to leave immediately.