The poverty of Slovak workers during the Great Depression during the Masaryk Republic reached such a level that it led to a well-organized strike. The capitalists and their minions tried by all means to break it. Even the workers who had not yet been elected soon recognized their place and supported the initiative of the communists, who selflessly led the strike movement. The poster-like, purely ideological story succumbs to paper-like dialogues and plots, and the narrative portrayal hardly convinces of the credibility of the whole story.

Even a strict and not very popular teacher can achieve extraordinary popularity with his pupils. When their favourite teacher breaks his leg just before a bicycle trip, he is replaced by his strict colleague. Although his involuntary charges are not enthusiastic at first, they eventually become convinced that it is not good to immediately reject a person just because one does not get along with him at first...

Folk theatre by Jan Lazorík.

Ivan Hálek, son of the famous poet Vítězslav Hálek, studied medicine and devoted his life to the Slovak countryside. In the poor Kysuce region, he not only treats the local villagers, but also makes an extraordinary contribution to education. At the same time, he struggles with lingering superstitions and mistrust. However, the hero and his young wife also become acquainted with folk customs, songs, and the colorful culture of the poorest. And he proclaims that only those who rid them of terrible mass poverty can provide these poor people with true living water.

A girl is transformed into a maple tree by her impulsive and angry mother. Three poor wandering musicians come by the tree and create instruments from it. Walking around the country instead of happiness they bring death everywhere with their cursed instruments. However they cannot get rid of them, unless they bury the wooden instruments at the place of the tree. The three are anything but harmonious, each taking in their disputes various stances.