In a country house dedicated to breeding bulls, bound for bullfighting, a love story emerges, conditioned by social class differences.

Clint Hall and Kathy, his wife, see their honeymoon interrupted by the sudden illness of Kathy. On the way to find a doctor Clint is assaulted. Without money to buy medicines, he decides to intimidate the pharmacist to get the prescription by the doctor. When he refuses, Cint forces him but promises to give him the money the next day . Along the way he is arrested by police and sentenced to nine years of hard labor. Tired of hunger, thirst, abuse, hardship and violence, Clint makes ​​an attempt to escape but fails, and repression from Captain Black, director of the prison, is terrible. Morally and physically exhausted, Clint is about to die when it comes the recognition of his innocence and freedom.

Spain, 1973. Dictator Francisco Franco has ruled the country since 1939 with an iron fist; but he is now a very old and sick man. The future of the weakened regime is in danger. Admiral Carrero Blanco is his natural successor. The Basque terrorist gang ETA decides that he must die to prevent the dictatorship from continuing.

When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures in the 12 chairs of a dining-room set. After her death her nephew finds out what she had done and, since the chairs had been "nationalized" and are now in the possession of a dozen different people, he sets out to track them down and get the treasures he believes rightfully belong to him.

A young man attempts to fight the system in an entertaining account of bureaucracy amok and the tyranny of red tape. Restored by the Academy Film Archive and the Instituto Cubano del Arte e Industrias Cinematográficos in 2019.

Cristo is the first feature film directed and produced by Margarita Alexandre and Rafael Torrecilla. Evoking the work of Luciano Emmer, this art documentary tells the story of the life of Jesus using only Spanish paintings. In close harmony with the montage, the photographic technique used by Juan Mariné for the filming gives movement to the paintings by Titian, El Greco and Rubens, while the presence of the voices of Fernando Rey, José María Seoane, María Jesús Valdés and other actors of the period give the characters a sense of entity. The film received the category of National Interest from the Censorship Board, undoubtedly more inspired by the film’s exaltation of the national artistic heritage and its religious subject matter than by its artistic aspirations.

Cristo is the first feature film directed and produced by Margarita Alexandre and Rafael Torrecilla. Evoking the work of Luciano Emmer, this art documentary tells the story of the life of Jesus using only Spanish paintings. In close harmony with the montage, the photographic technique used by Juan Mariné for the filming gives movement to the paintings by Titian, El Greco and Rubens, while the presence of the voices of Fernando Rey, José María Seoane, María Jesús Valdés and other actors of the period give the characters a sense of entity. The film received the category of National Interest from the Censorship Board, undoubtedly more inspired by the film’s exaltation of the national artistic heritage and its religious subject matter than by its artistic aspirations.

Rafa, a Communist Republican exiled after the Spanish Civil War, returns to his hometown to carry out an attack against the imposed tyrannical regime, but the mission fails and, in his attempt to escape, he kidnaps a lady of high society.

Rafa, a Communist Republican exiled after the Spanish Civil War, returns to his hometown to carry out an attack against the imposed tyrannical regime, but the mission fails and, in his attempt to escape, he kidnaps a lady of high society.

In a country house dedicated to breeding bulls, bound for bullfighting, a love story emerges, conditioned by social class differences.