Margaret Clunie Movies, TV Shows, and Filmography
Margaret Clunie
Acting
Biography
Margaret Jayne Clunie (born 3 October 1987) is an English actress and former model. She is known for her role as Harriet, Duchess of Sutherland in the ITV series Victoria (2016–2017). Clunie grew up in Rickmansworth, Hertfordshire, the daughter of a business consultant and a medical secretary. She has an older sister. Clunie initially wanted to be a fashion journalist. She studied English at Newcastle University, where she participated in theatre. She went on to graduate from the Oxford School of Drama in 2010. Clunie was 14 when she was scouted to be a model on the Tube. She spent her weekends on shoots and later walked at London Fashion Week, but said she found much of it "soul destroying", a "confidence-crushing conveyor belt" with "gorgeous young girls being told they’re not good enough, that they’re fat and look awful" Clunie made her television debut in a 2012 episode of the BBC One medical soap opera Doctors. The following year, she had a recurring role as Natasha in the second series of the Sky Arts dark comedy A Young Doctor's Notebook with Daniel Radcliffe and Jon Hamm. She made her London stage debut in Hard Feelings at the Finborough Theatre the following year. In 2016 and 2017, Clunie portrayed Harriet, Duchess of Sutherland in the first two series of the ITV biographical drama Victoria. She also played Jess in Danny Sangra's comedy film Goldbricks in Bloom. In 2019, Clunie guest starred in an episode of the BBC One crime series Death in Paradise and appeared in the romantic comedy film Last Christmas. This was followed by roles as Ellie in the Greek miniseries Kart postal (or Postcard) in 2021, the Hostess in the Disney+ series Andor in 2022, and Domenica Howarth in the second series of the Channel 5 crime drama Dalgliesh. Clunie featured in the 2024 John Lewis Christmas advert.
Filmography Movies
Acting
Smart TV
A young man watches a state of the art, interactive television, only to realize that the TV is so interactive that the people on screen are watching him too.
Goldbricks in Bloom
A group of young creatives in New York question the value of their work and their lives.
For Love & Honey
Beekeeper Eva uncovers an ancient fresco while rescuing a hive. Austen, a visiting archeologist, thinks it is key to his research, so he persuades Eva to help him on his quest across Malta.
Johnny English Reborn
The most prominent heads of state in the world begin gathering for a conference that could have a major impact on global politics. When MI-7 receives word that the Chinese premier has become the target of some high-powered killers, it falls on Johnny English to save the day. Armed with the latest high-tech weaponry and gadgets that would make even James Bond jealous, the once-disgraced agent uncovers evidence of a massive conspiracy involving some of the world's most powerful organisations, and vows to redeem his tarnished reputation by stopping the killers before they can strike.
Carnage: Swallowing the Past
It's 2067, the UK is vegan, but older generations are suffering the guilt of their carnivorous past. Simon Amstell asks us to forgive them for the horrors of what they swallowed.
Christmas Eve
Hilarity, romance, and transcendence prevail after a power outage traps six different groups of New Yorkers inside elevators on Christmas Eve.
Here Comes Hell
In the 30s, a sophisticated soiree at an isolated country mansion descends into carnage, gore and demonic possession as rivalries and old friendships are put to the test when a gateway to Hell opens up.
Last Christmas
Kate is a young woman who has a habit of making bad decisions, and her last date with disaster occurs after she accepts work as Santa's elf for a department store. However, after she meets Tom there, her life takes a new turn.
When Cary Grant Introduced Timothy Leary to LSD
Cary Grant sits in his plush dressing room at Culver Studios, waiting to be called to set by his director, Alfred Hitchcock. Suddenly he gets a visitor, Dr. Timothy Leary. Having read about Grant’s dabbling with LSD in an interview with Good Housekeeping Magazine, Leary is keen to try the magical new drug. Grant however, is insistent that the powerful substance only be taken under medical supervision. Together, the men explore past, present, and future memories.
Venus
Iris, torn out of her idyllic digital world and uploaded into a stolen synthetic body by her grieving mother, must face her body's objectification and violent potential in a dark future.
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