
Production
No biography available.

After winning the best film award at the Cannes Film Festival, the legendary film producer - Yonatan Harel, is facing bankruptcy due to a chain of anomalies in the film budgets and investors who withdrew their investment due to the Corona virus. Jonathan tries to survive and save his life, with the help of his lawyer and close friend. On the occasion of winning the Cannes Orit festival, his wife throws him a surprise party and invites the entire film industry, and the professionals he worked with: Gadi Harush, the legendary actor and borderline personality, and the stars of his winning film, Eli Gold and Dafna. Jonathan decides to monitor the entire house with cameras and what he discovers will be beyond his wildest imagination.

A fantasy about a daughter’s yearning for her mother’s warmth and comfort, which turns into a nightmare about harsh reality of a group of homeless quarry workers. Masha arrives at the quarry with a heavy heart, burdened by a secret she hasn’t told anyone about. She wants to speak with her mother, Vera, but she has struggles of her own. A young woman finds herself in a deafening masculine environment where no one's listening. A journey to save herself quickly blurs into a venture to save her own mother. Ants crawling on the walls of the house, childhood photos and Russian food, are the harsh reality of one woman, and a comforting memory for the other.

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

Anne, a Parisian, visits her friend Yola in Tel Aviv, where Yola lives with her husband Avi and their son. There's tension in the air and the attraction between the two women is palpable. Flash back five years to their meeting, on a train to Jerusalem. Yola invites Anne to stay at her hotel, and over the next five days, their friendship builds from talk about their lives to an explosive menage a trois when Avi joins them on fourth day. Back in the present, can Yola have both Avi and Anne, or are the women futilely chasing rainbows?

When Yoel hears about an imminent Iranian military attack on Tel Aviv, he knows what to do - escape with his family to a safe haven in Jerusalem. His son Assaf, who is a filmmaker and about to become a father himself, wants to give Yoel one last lead role in his movie by melting the fictional world into bittersweet reality.

Anat, a single mother and a devoted literature primary school teacher, is impatiently waiting for her son’s discharge from the army. But exactly on the due date of his release, a soldier is kidnapped and a new war breaks out. The condition of her shell-shocked father, Ya'akov, starts to deteriorate as Ido calls to say that all discharges have been put on hold. The angst-ridden Anat tries to get him back home, appealing to the kindness of the commanding officers. Ido returns, but her spirit is broken when she discovers that discharges were not suspended - it was he who volunteered to fight. Their symbiotic relationship goes downhill, Ido returns to the border post and the battle flares up. Before his unit enters Lebanon, Anat, who feels trapped between her father and her son, decides to take matters into her own hands.

In 1980, the black Falashas in Ethiopia are recognised as genuine Jews and are secretly carried to Israel. The day before the transport the son of a Jewish mother dies. In his place and with his name (Schlomo) she takes a Christian 9-year-old boy.

The story takes place in Haifa, Israel, in 1979, during three days before the Shabbat. A young woman trying to raise three children, work from home, and observe the strict Moroccan traditions of her family finds herself at constant odds with her husband and her brothers, who want her to stay married and leave behind the notions of being loved and free.

2020. Corona era. A journalist with an opinion column who receives hateful messages and threats on his cell phone tries in vain to reach his autistic son who lives in a hostel. His daughter went to protest in Balfour and is not answering the phone. He and his wife go to look for her at the demonstration and try to repair their relationship.

Debbie, a young belly dancer, her dangerous yet charming lover, a criminal, and a dance club owner tell the story about love and crimes, friendship and betrayal.

When Yoel hears about an imminent Iranian military attack on Tel Aviv, he knows what to do - escape with his family to a safe haven in Jerusalem. His son Assaf, who is a filmmaker and about to become a father himself, wants to give Yoel one last lead role in his movie by melting the fictional world into bittersweet reality.

A young IDF soldier critically injured during a Gaza military operation clings to life while his family maintains a bedside vigil. During the long wait, family, friends, doctors, and therapists struggle to temper expectations and cope with the strain of the situation that sees moments of heartbreak, humor, and hope.

The year is 1999 and the storyline is actually a number of sub-plots all revolving around the 13-year old Clara, a girl that can predict the future and has telekinetic powers. The sub-plots include a boy in her class who has a crush on her, his family, her family and her principal that keeps talking French for some strange reason.

Michale is a thirty year old woman. She works with her father in a Tel Aviv accounting office providing services to important religious institutions. She divides her time between her child, her husband, her work and the man with whom she is having an affair. When Michale learns of the tragic death of her lover, her life is shattered.
Two interconnected stories in the 1930s, one set in Berlin, the other in Palestine: Mania Vilbouchevich Shohat (1880-1961), called Tania, a Russian Jew and revolutionary, goes from Minsk to Palestine to live on a collective. She promotes feminism and laments a shift in the men from self-defense to aggression. Her friend, Else Lasker-Schuler (1869 - 1945), expressionist poet and German Jew, is in Berlin, writing, caring for her son, watching Hitler's movement take power. She goes to Jerusalem and imagines a park for Arab and Jew. Her poems, voiced from within, capture her experience. The film meditates on the violence at the root of Israel's birth: of the Nazis and of the Zionists.

Rules must be followed. For the "supervisors" of the Bat Yam neighbourhood in Israel, this means ensuring that women are dressed appropriately, that people respect Shabbat, or that Arabs from Jaffa don't enter the neighbourhood with music blaring from their cars. Avi, Kobi and Yaniv are young and know how to fight. They want to force their neighbours to become religious, without hesitating to be violent in the name of God. The inhabitants admire the gang and are afraid of them at the same time. One day a new girl, Miri, arrives. She is not familiar with the strict rules of modesty. The gang's leader Avi is going to be torn between his feelings for Miri and his dedication to the gang.
