In 1914, with Italy on the cusp of joining World War I, a group of foreign artists establishes a commune on the rural island of Capri, catching the attention of young Lucia, a local illiterate shepherdess who soon falls under their spell.

During a hot Sunday afternoon in a small Southern Italian town, a school serving as a polling place is occupied by a group of three locals and an Eritrean immigrant, all unemployed, desperate and armed.

Naples, 1959. Pure Mathematics professor Renato Caccioppoli, Bakunin's grandson, is a tortured soul. Recently discharged from the psychiatric hospital, left by his wife, and increasingly disillusioned with academia and the Communist Party, he lives his last days with painful detachment.

Mario Martone films the eponymous stage show by Enzo Moscato.

A surreal travel drama, shot on Sicility with Italian actors. IlViaggio Clandestino is a film about saints and sinners. Whether you areblessed or doomed is often dependent on someone's soul that on whether theypray or suffer. The kindred spirit of San Gil ! the Holy Gil ! is CiccioBavaria who, unilke the former, continues to seek sin. For Bavaria sin isliberating and dynamic. The film tells the story of the journey made by thesetwo protagonists; a journey that leads to the demise of San Gil, while Bavariais reincarnated as Buddha. There is another traveller, a clandestinetraveller. Christ, always fleeing the angels. This Christ does not helphumanity with miracles, but by keeping himself alive as best he can givingweather forecasts.In this strange sainty story, Ruiz allowed himself ot be inspired byapocryphal books about saints of flesh and blood.

Set in the 1790s, this historical drama follows the travails of an idealistic noblewoman who helps lead a daring revolution in Italy.

Maria, a young Neapolitan painter, lives the artistic experimentation of the 1960s. She is a woman who does not hesitate to live her life adhering to the ideals of research and love, which are for her the very content of art.

Weaving together fact and fiction, this docudrama performs a portrait of the often seamy underside of the city of Naples.Ferrara traveled to Italy to interview the inmates at the Naples Pozzuoli State Prison, a high security lockup for women, and with the help of a translator he allows a number of women doing time to talk about their lives before and after they were convicted. Ferrara chose to expand the short profile of the prisoners into a feature by offering a look at life in the slums of Naples and the actions of a number of law enforcement officers and social workers struggling to improve conditions for the poor, as well as adding three short fictional segments shot of digital video gear.