20-year-old Marco is remarkably attuned to the suffering of people everywhere. He writes poetry but turns to drugs and drink to achieve “the forgetting”, that unconscious state that is impenetrable to his existential angst and other fears. He’s fleeing pain but above all, he’s fleeing from himself. When he goes to work for the cleaners’ cooperative at Bambin Gesù Hospital, he’s sure that this experience, the contact with sick children, will be the death of him.

Rocio is 20 years old and has been detained in an identification and expulsion center in Rome, pending deportation to her country of origin. During her detention Rocio has become pregnant, but she is unwilling to reveal how or with whom this has happened, preferring to remain silent. By law, pregnant women cannot be detained. So Rocio is released, four months into her pregnancy and with a temporary permit of stay on maternity grounds. Now she is free, but must also go ahead with an unwanted pregnancy.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

When an uncompromising idealist and rich, arrogant heir cross paths, their contrasting beliefs begin to shift when they fall for each other.

Lena is seven months pregnant and she's ready to sell the baby in her belly. Ermanno agrees to pretend to be the father. Fabio, the uncle of Ermanno, will pay them to buy the child that he and his wife Bianca cannot have. A fake adoption between relatives, a loophole to bypass the law in Italy. A world in which money is the only standard of value, the only thing that matters. Ermanno and Lena are two strangers that must pretend in public to be a couple and live together until the delivery. They are used to only thinking about themselves and they fight all the time. But living side by side they start becoming what they were only pretending to be.

Inspired by one of the most savage and violent crimes committed in Rome in the 1980s, "Rabbia Furiosa" is the story of Fabio, a small-time neighborhood crook, known as “Er Canaro” (the Dog Man) who suffers years of abuse and mistreatment from Claudio, a local boss of the criminal underworld. When he is driven to desperation and the brink of madness, he will carry out a terrible and bloody act of vengeance...

Claudia and Flavio were once passionately in love, but all of that is over. Now, in their fifties, they must venture anew into the world of love and dating once more but for Claudia confronting the end and accepting a new beginning isn’t so easy. Claudia is unwilling to let go and forget the life she’s built with Flavio, while Flavio, eager to move on, soon finds himself in a relationship with a much younger woman. Claudia soon reconnects with Nina, a student from her days as a professor.

Three Italian retirees embark on a journey to find a new country to live in.